Showing posts with label other gods. Show all posts
Showing posts with label other gods. Show all posts

Monday, February 8, 2016

Now Featured at Dark Regions

I am, for the moment, the featured author at Dark Regions Press, publisher of my short fiction collections Other Gods (2008) and The Gaki (2012) as well as the anthologies Christmas Horror, World War Cthulhu, and Discoveries: Best of Horror and Dark Fantasy, which feature my stories "Red Rage," "The Game Changers," and "Megan," respectively. All are available in trade paperback editions, some as hardbacks and e-books. Look at those covers right there. Just look at them! I'm telling you, hie thee over yonder to Dark Regions right now, take a look, and treat yourself to a perfectly frightful smorgasbord. I know you need one. Don't we all?

Visit here: Stephen Mark Rainey at Dark Regions Press

"I finished the book feeling as if I had been processed through the kaleidoscopic imagination of a born storyteller. Other Gods is a superb example of what this sort of long-term collection is good for: It plainly highlights the author's long-running thematic obsessions and shows him circling back to revisit and reshape the concepts, tropes, and emotions that inspire him."
—Matt Cardin, Dead Reckonings #4

Thursday, September 3, 2015

The Equinox Devil


No, the title of this blog entry does not reference the 1960s horror movie, Equinox, although, in its way, it's not all that far removed. It references the smiling chap you see to the left, which is the beastly demon from my novelette "Fugue Devil," as realized by artist Phillip Reynolds for my first fiction collection, Fugue Devil & Other Weird Horrors (Macabre, Inc., 1992). More by happenstance than design, this particular critter came up in conversation on two separate occasions over the past couple of days, which put me in a mood to reflect on this dear, deadly old friend of mine. Permit me to share some of those reflections with you. There is no charge. Well, there is if you'd care to buy the novelette, which I would of course appreciate, but if you continue reading here, I shan't send you a bill.

Many of you who follow this blog likely have already read "Fugue Devil." It's one of my more well-known stories, I think, even though it's over twenty years old. While the original collection in which it appeared is long out of print — and exceptionally difficult to find — the novelette (as well as its sequel, "Devil's Eye") may be found lurking in two of my other collections, The Last Trumpet and Other Gods, both readily available from Wildside Press and Dark Regions Press, respectively.

"Fugue Devil" arose out of the most intense nightmare I ever had as a child (I was about 13 at the time), and I still recall its details more clearly than most waking memories. In the dream, the beast haunted the woods behind my family's house (where my mom still lives, as a matter of fact). The woods are not very large; a couple of dozen acres or so that create a buffer between streets in the old neighborhood. In the spring and summer, though, when the woods are in full bloom, it feels like a massive forest because you can't see the houses that, in reality, aren't very far away.

Let's go back to the summer of 1972, there or about....

The dream opened like a scene from a movie, on a beautiful summer afternoon, with my friends, Robert Cox and Chuck Neely, and I playing just down the street from my house. Out of the corner of my eye, I noticed something moving in the sky, and when I looked up, I saw a black shape, insect-like but huge, zig-zagging rapidly across the sky, trailing black smoke. I asked if anyone knew what it was, and in an excited voice, Chuck told me it was the "real" Tazmanian Devil, which was nothing like the Bugs Bunny cartoon character. If you saw it and you were the last person to turn away from it, you would be marked for death.

Well, guess who was the last person to turn away.

In the next scene, I was in my backyard with my younger brother (who would have been about 6 or 7 at the time) and my dad, who was grilling steaks — a frequent weekend activity in those days. Dad went into the house, and I heard something moving on the wooded hillside behind the house. Out from the trees came a dog that resembled a blue-hued greyhound — only this one was massive, about the size of a horse. Then, from behind it, strode a ten-foot-tall thing, which had the ridged, scaled body of the Creature from the Black Lagoon, colored bluish-gray, the same as the dog; the wolf-like head of the demon from Curse of the Demon; and huge golden wings that resembled King Ghidorah's, from Ghidrah, the Three-Headed Monster. The beast looked down at me and grinned.
Artist M. Wayne Miller's conception of the Fugue Devil, from
my fiction collection, Other Gods (Dark Regions, 2008)

I woke up in a cold sweat, shivering, which I have never otherwise experienced in all my 56 years. It took me quite a while to go back to sleep, and when I did, the dream took up precisely where it left off.

The sun had just gone down, and my brother and I were home alone. He realized he had left some of his toys down on the driveway and wanted to go after them. I advised him against this because I knew the Tazmanian Devil must out there somewhere. But I could not convince him to stay inside, so I went out to the back deck to watch over him as he went after his toys. He had just picked them up and was on his way back up the stairs when I heard something moving in the woods. The back porch light shone only a short distance into the trees, but it revealed something coming out of the woods, and I realized that it was the huge dog. Then, again from behind the dog, the Devil appeared, but this time its scaled body was bright green (if any of you ever owned the Aurora plastic model kit of the Creature From the Black Lagoon way back when, well, that was its exact color).

Again, the demon looked right at me, and again, I woke in a cold sweat, crying my young eyes out. It was now about 4:00 AM, and though I tried like hell to stay awake till daylight, I just couldn't manage it.

When I fell back to sleep, the dream continued yet again. This time, I was at my friend Bob Cox's house, believing I might be safe if the critter didn't know where to look for me. We were hiding out in his upstairs bedroom, and for a long time, nothing happened. But then something crashed downstairs, and after a few moments, I could hear heavy footsteps below. They started coming up the stairs to the bedroom, and I realized we were trapped because there was no other way out. The door burst open, and there was the Tazmanian Devil, having to crouch to get through the door because it was so tall. Now its body was a fiery, blood red, and it grinned real big as it reached out to get me.

That's when I woke up, and dawn was just beginning to brighten the sky. I didn't go back to sleep again.

I wrote the story, "Fugue Devil," in 1991, some 20 years after the dream. The theme of the story diverges radically from the dream itself, but the creature's main appearances are all there. I can attest that we do dream in color, for the various hues to which its body changed were brilliant. Needless to say, because the creature came out of the woods (which adjoin Bob Cox's house as well), I looked upon them with a certain amount of fear for some years afterward. And while I consider these woods among the most friendly, beautiful, and welcoming places on earth, they still hold a somewhat dark place in my heart because of that wonderful, memorable night horror from my youth.

In the story, the Fugue Devil appears every 17 years, at midnight on the Autumn Equinox. It was actually brought into being by musicians who, through music, found a key to opening doors to other dimensions (indirectly chronicled in my earlier story, "Threnody", which also appears in both The Last Trumpet and Other Gods). I gave the story something of a tag line, which reads "If you know about it, it knows about you. And if you see it, it will come for you." Words to heed, I can tell you!

"Fugue Devil," whatever its merits, is almost certainly my most personally significant tale. It was one of those special stories that, as a writer, I had to write.

May all your nightmares be as memorable and lovely.

Thursday, June 25, 2015

Other Gods


If you're one of those unfortunate (or perhaps very fortunate) souls who have never made the acquaintance of Other Gods, then permit me to introduce you.

Other Gods is my biggest and — in my thoroughly objective, non-biased, reasonably informed, and ultimately irrelevant opinion — probably best collection of short fiction. It contains sixteen of my horror tales written between 1986 and 2008, there or about, some linked by common characters and settings, most dealing with dark, deadly, unknown forces — hence the "Other Gods" of the title. Dark Regions published the collection in 2008, with beautiful cover art by M. Wayne Miller, whose work graces the covers of several of my books (not to mention a number of issues of Deathrealm back in the day).

I wanted highlight a particular story here, as people sometimes ask me what I consider my scariest story. For me, that's a difficult determination to make, but based on feedback from readers over the years, I'm inclined to say that story is "Silhouette," which was originally published in Cemetery Dance #24 (Summer 1996). “Silhouette” draws on some old, old personal fears, going back to when I was a kid and dreamed of a faceless, stick-like creature that came bouncing up our basement stairs to pursue me. Also included in the imagery is the silhouette of the title, based on a rather disturbing visual I spied in an old brownstone apartment window when I visited Chicago in the late 1970s. Another scene is drawn from one of the only true night horrors I ever had, which occurred early in my college years and kept me awake for an entire night.

The event that actually brought the story into being, however, was something of an academic exercise. In the early 1990s, my friend and fellow scrivener William R. Trotter gave me a tape of some creepy music, which included “Hidden Voices” by minimalist composer Ingram Marshall. I found it among the eeriest stuff I had ever heard. Danielle d’Attilio, who helped me edit Deathrealm, and I decided to sit down and play the music in absolute darkness, then write about whatever came to mind as we listened. Her story was actually called “Hidden Voices.” For me, “Silhouette” was the result. And from the many comments I've received from readers who were unnerved by the story, I'd have to say it rates at the top of my "scariest story" list.

Other Gods includes "Silhouette" and fifteen other creepy little critter tales. The book is available in trade paperback from Dark Regions — for $9.95, marked down from $19.95. There's never been a better time to check it out. Give it a look:



"I finished Other Gods feeling as if I had been processed through the kaleidoscopic imagination of a born storyteller. Other Gods is a superb example of what this sort of long-term collection is good for: It plainly highlights the author's long-running thematic obsessions and shows him circling back to revisit and reshape the concepts, tropes, and emotions that inspire him."
—Matt Cardin, Dead Reckonings #4

Wednesday, January 22, 2014

33% Off — OTHER GODS from Dark Regions


For a limited time, Dark Regions is offering the signed, limited hardcover edition of my short-fiction collection, Other Gods, at a discounted rate of $28 (33% off the $40 cover price). Of my various collections of fiction, this one is probably my favorite, featuring most of my tales of Lovecraftian horror.

"The 16 tales in Stephen Mark Rainey's Other Gods depict an alluring yet macabre world, rendered by one of the horror genre's most vivid imaginations. With settings ranging from the remote backwoods of Virginia to the urban wilderness of Chicago, the veneer of Rainey's world appears familiar, even comforting; yet, beneath its surface ancient, malignant powers lurk, ready to spring forth and destroy any who discover them whether intentionally or inadvertently. Laced with humor and recounted by a captivating voice, the tales in Other Gods wait for you with open arms but beware, for they are also laden with darkness. And in that darkness, danger waits."

"Writer Stephen Mark Rainey has done it again with this brilliantly scary short story collection... The stories and tone of the book put me in mind of Stephen King’s early short story collections."—HorrorWatch
 
"Rainey populates his stories with characters that you may recognize, and not just because some of them appear, or are mentioned, in more than one story. No, they are recognizable because they are our friends, neighbours and loved ones. They are us. Whether it is facing the cosmic dread of the Other Gods, from whom this collection takes its name, or the sideshow atmosphere of Circus Bizarre, it is normal, identifiable, people who are put through the wringer, and it is to Rainey’s credit that he makes us care so much for them in such a short amount of time."—HorrorWorld

Use coupon code HAPPYNEWYEAR2014 at http://www.darkregions.com/books/other-gods-by-stephen-mark-rainey

Sunday, October 16, 2011

"The Jack-o'-Lantern Memoirs"...Free for Halloween

It's been a while since I've updated my free fiction page, so for Halloween I'm going to offer my short tale, "The Jack-o'-Lantern Memoirs" for your reading pleasure. The story originally appeared in Flesh & Blood magazine (2002) and then in my collection, Other Gods (2009). If you haven't read it, give 'er a try. If you have, no doubt you could use a refresher. You'll laugh. You'll cry. You'll lose your face...

About "The Jack-o'-Lantern Memoirs:....
A serial killer from hell? For real? Oh, yes! Here on Earth, the Jack-o'-Lantern killer was a regular monster. Down in the underworld, he's so rotten that even the devil doesn't want him. Every Halloween, Old Nick sends the Jack-o'-Lantern Killer back to Earth, with the promise that, if he doesn't kill anyone during his little "vacation," he will be freed from hell forever. But it's not so easy being a vicious, bloodthirsty demon, and when you're hard up for blood, bodies, and mayhem, things are never as easy as they seem on the surface....

Enjoy "The Jack-o'-Lantern Memoirs." A little Halloween treat for you! Click here to read.

Thursday, March 13, 2008

How to Thoroughly Devalue the Limited Edition of Your Upcoming Book




In my case, sign the signature sheets.

Done, and shipped back to the publisher. In fact, cover artist Wayne Miller and I met for dinner last night, and he signed the sheets for the lettered edition. So Other Gods is that much closer to completion, and I expect that by May it will be running loose on the streets. Almost certainly, I will have copies to take to Mo*Con with me in June. I can bean unsuspecting passersby with them.*

*For this activity, I shall require the hardcover edition.

Wednesday, February 20, 2008

UDDER GODS now up for pre-order


Moooo yeah! Ready for pre-order, my upcoming collection of very scowy tales from Dark Regions.

Ye olde book description:
"Spanning a career of over 20 years, the 16 tales in Stephen Mark Rainey's Other Gods depict an alluring yet macabre world, rendered by one of the horror genre's most vivid imaginations. With settings ranging from the remote backwoods of Virginia to the urban wilderness of Chicago, the veneer of Rainey's world appears familiar, even comforting; yet, beneath its surface, ancient, malignant powers lurk, ready to spring forth and destroy any who discover them. Laced with humor and recounted by a captivating voice, the tales in Other Gods wait for you with open arms—but beware, for they are also laden with darkness. And in that darkness, danger waits."

What one scary writer says:
"Stephen Mark Rainey is a master at grounding horror and terror in a time and place. His stories are effective because he understands character, as well as the motivations of both his people and his monsters. And, in a field often tinged with cynicism, Rainey shows us that monsters can also be fun. One of our best contemporary storytellers."

—Scott Nicholson, author of They Hunger

Available in three editions:
Lettered hardcover, signed by author and cover artist Wayne Miller ($150.00)
Limited edition signed hardcover ($45.00)
Trade paperback ($19.95)

P.S. There aren't really any cows in this book. Sorry.