TERRIFIER 2

Some years ago, writer/director Damien Leone’s All Hallows Eve (2013) introduced me to Art the Clown, and I think it’s fair to say I found Art one of the most disturbing horror characters in existence — particularly those of the clown persuasion. Clowns have never frightened me per se, but I can readily admit that some have unsettled me (my daughter once had this cast iron clown coin bank that “ate” coins, which did none of our sensibilities any favors). With All Hallows Eve, Art kind of messed up my head because, in the situations in the movie, he was simultaneously funny as hell yet altogether terrifying. Knowing that his appearance to someone was a harbinger of personal doom — a horrific doom, at that — effectively creeped me out.

The first Terrifier (2016) followed along the same lines. It felt a little more over-the-top, but it still disturbed me on a level that most horror/slasher movies do not.

Last night, I took the opportunity to watch Terrifier 2. It offered quite a few brilliant, scary moments/scenes, such as the Clown Café dream scene with its catchy, whimsical tunes. (In fact, I quite enjoyed the music throughout the movie, particularly the techno dance stuff.) Art provided several horrific moments worthy of his earlier film appearances. And the introduction of Creepy Little Demon Girl made for an entertaining touch. For the sake of continuity, I appreciated the references to Art’s first two adventures.

Overall, though, I didn't much care for this one. First and foremost, the running time is way too long — 138 minutes vs. 83 minutes for both All Hallows Eve and the original Terrifier. All those extra minutes added nada, zip, absolute jack shit, and — worst of all — introduced the element of boredom. Bzzzt, wrong! The movie’s surreal, dreamlike moments worked well enough, yet almost all of the “real-life” events dragged on to the point of tedium and frequently dove straight into the realm of the asinine rather than the frightening.

No. No, thank you.

So, Terrifier 2 is a mixed bag, and its most effective moments might be considered classic Art. Sadly, though, the crap weighs too heavily in the bag, and thus it gets a rating of only two out of five Damned Rodan’s Dirty Firetinis.

Boo!