A couple of weeks back, on my regular Pleasant Hill visit ("The One-Man Chainsaw Brigade," 2023-01-27), the backyard was invaded by a couple of grande-size trees, which had the temerity to fall down and go boom (thank you, endless weeks of rain).
The Editor Known as Mr. Deathrealm. Author of The House at Black Tooth Pond, Blue Devil Island, Dark Shadows: Dreams of the Dark (with Elizabeth Massie), and many others. Feed at your own risk. Note: Stephen Mark Rainey is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for the author to earn fees by linking to Amazon.com.
Friday, February 3, 2023
The One-Man Chainsaw Brigade, Part Deux
A couple of weeks back, on my regular Pleasant Hill visit ("The One-Man Chainsaw Brigade," 2023-01-27), the backyard was invaded by a couple of grande-size trees, which had the temerity to fall down and go boom (thank you, endless weeks of rain).
Sunday, January 29, 2023
Kolchak: The Night Stalker 50th Anniversary Graphic Anthology
My contributor copy of Kolchak: The Night Stalker 50th Anniversary Graphic Anthology from Moonstone Books is in the house. This one features my original Kolchak tale, “Up From the Underground.” This really is one helluva beautiful volume!
Edited by James Aquilone, with tales by David Avallone, Jonathan Maberry, Peter David, R.C. Matheson, Kim Newman, Tim Waggoner, Steve Niles, Rodney Barnes, Gabriel Hardman, James Aquilone, Nancy A. Collins, James Chambers, Nancy Holder & Alan Philipson, David Boop, Bobby Nash, Will McDermott, John Jennings, Owl Goingback, Leverett Butts, Lisa Morton; art by Zac Atkinson, Julius Ohta, Marco Finnegan, J.K. Woodward, Paul McCaffrey, Clara Meath, Szymon Kudranski, Jonathan Marks Barravecchia, Colton Worley, and more.
Kolchak: The Night Stalker TV series (or, as it was originally known, simply The Night Stalker) — as well as the two original TV movies, The Night Stalker and The Night Strangler, back in the early 1970s, were among those TV productions that made a powerful and lasting impression on me, and so contributing to this volume felt right, to put it mildly. The book has made it onto the preliminary ballot for the Horror Writers Association’s Bram Stoker Awards for Superior Achievement in a Graphic Novel, and it would be awesome to see it go all the way to the top. If you have ever been a fan of Carl Kolchak’s exploits, this is the volume for you.
Saturday, January 28, 2023
It’s the Work... and Then Some
I decided to drag this post from Facebook over to my blog, mainly for posterity’s sake. It is surely vaguebooking to those who don’t know the origin, but pretty clear to those who do.
Friday, January 27, 2023
The One-Man Chainsaw Brigade
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| Just getting going |
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| Definite improvement. Will hope to finish on my next visit. |
Thursday, January 26, 2023
A Graveside Chat With David Niall Wilson
USA TODAY–bestselling author David Niall Wilson has been writing and publishing horror, dark fantasy, and science fiction since the mid-1980s. He has written over a dozen standalone novels as well as numerous novels for his own DeChance Chronicles and Cletus J. Diggs series, plus tie-in novels for Star Trek: Voyager, Stargate Atlantis, World of Wraith, and others, plus ten short story collections (not to mention about 150 stories in various magazines and anthologies). An ordained minister, former editor of The Tome magazine, former President of the Horror Writers Association, and recipient of multiple HWA Bram Stoker Awards, Dave is CEO and founder of Crossroad Press, which occasionally keeps him a little busy. His collection, The Devil’s in the Flaws & Other Dark Truths, is scheduled for release in January 2023.
Thanks for taking time out for A Graveside Chat, Dave.
AGC: You’ve been a prominent figure in the speculative fiction field for four decades, there or about, and you’ve not only kept up with its evolution but influenced it, particularly with Crossroad Press. What are some of the biggest changes — and challenges — you’ve experienced in this business over these decades, be it from the perspective of author, editor, and/or publisher?
DNW: The Internet has changed the world, and writing is no exception. Ebooks and simpler avenues for self-publishing have opened a lot of doors, which, in one sense, is good. The world of publishing, when I started, had clear boundaries. Success was a sale to NYC, and you could get there through the other side of the boundary, the small press. But slots were very limited. Agents and editors were like gatekeepers and thousands of books, good, bad, wonderful, and awful were simply never in a position to have a legitimate chance. That has all changed.
That’s the upside. The downside is those thousands of books are all out there now. Some are good, some are awful, many are edited poorly but packaged with professional covers. More are awful than good, and as this becomes clear to consumers, it becomes more difficult to sell an independently published book. It’s also a totally one-sided marketing war — NYC with millions of dollars, and the rest of us with, well, Bookbub, who now take too many titles, still charge a fortune, and have become hit-and-miss. More than ever before, the key to writing success has become a mix of talent and visibility, the second being the hardest thing to achieve. I think the floor has leveled over the years, but you have to be very active, you have to remain relevant to the world, read what is selling now and not what sold twenty years ago. It’s a very volatile industry.
AGC: You’re widely read, not just in speculative fiction, but in all varieties of literature. Who do you consider some of your primary influences as a writer? What most inspires you as a storyteller?
DNW: Sometimes questions like this flummox me. I am probably influenced by thousands of books and writers, but I can trim it down and offer reasons. I love the work of Edgar Allan Poe, his themes, and his sense of dread. Modern writers I have learned pacing and formula from Stephen King, writing on different levels from Peter Straub, Kathe Koja, and Poppy Z. Brite showed me how inconsequential limits are…
More recently I’ve learned things that limit my writing by reaching beyond my normal reading… authors like Hailey Piper, Eric LaRocca, and Gemma Amor have shown me different perspectives. Stephen Graham Jones, a recent obsession, has a voice he can hit where it’s him telling the story, and it’s mesmerizing. Grady Hendrix, Paul Tremblay, I steal bits and pieces. And books like The Things They Carried, where you pick up on how objects and settings can anchor your writing. It’s an endless stream. Lately, I’ve found rabbit holes while writing letters to my daughter in college, adding trivia to each one, which have given me things I know I will use. Maybe I influence myself? I hope I never cease finding new inspiration.
AGC: You’ve collaborated with other authors on numerous works — many of which appear in the volume, Intermusings: A Cabal of Dark Fiction, which features a broad sampling of your collaborative stories. Do you particularly enjoy collaborating with other authors? Is there anyone with whom you’d especially like to collaborate that you haven’t yet? Do you have more upcoming collaborative work scheduled?
DNW: Currently I’m not collaborating on anything. I think my last major collaboration was with my wife, Trish, when we wrote Remember Bowling Green (all proceeds to the ACLU). I have had a lot of interesting collaboration experiences. I’ve written the most with Brian A. Hopkins, Brett A. Savory and Trish, but, as you know, that book is FULL of collaborations. I find that when it works, when the editing goes back and forth a few times, a new voice arises. It’s not what either author would have done, but it builds on the strengths of both.
AGC: You are an insanely prolific author, even with Crossroad Press (and a full-time day job) occupying what is presumably more than a negligible amount of your time. (Do you ever sleep???) What do you have on your upcoming agenda(s) as a writer, editor, and/or publisher that you can talk about here? DNW: It’s funny you say that. Up until last spring, I was becoming less and less prolific. I’ve started publishing stories again, have a lot of things in the works, a novella upcoming, and other things in anthologies, but only recently. Before that I have done nothing but poke at it since around the time the Orange Anguish became president. I’m pulling it all back together and feel as if I’ve written a lot of things lately, new things I’m proud of, pushing some boundaries. I have at least two stories in anthologies this year. I have an NFT-only book of stories involving Potatoes coming out through Book.iO (It would take an entire separate interview to cover all of that). I have at least two novels in serious progress, a novella, and some stories that are for markets who have solicited me. It’s a sort of rebirth. I’ve been asleep creatively for a very long time.
This year, finally, my anthology The Canterbury Nightmares will be published, and I had a lot of fun with that, but the general miasma of the last few years has prevented it from happening as quickly as it should. You keep moving or you grow moss and mold, so I’ll be writing a lot. My collection, The Devil’s in the Flaws & Other Dark Truths, just released and seems to be doing pretty well.
AGC: You have written a lot of series projects as well as standalones. Which do you prefer, and why? What can we expect to see in the future?
DNW: I’ve noticed over time that almost everything I’ve written ties together. I mention a place, or an event, and suddenly there is a link between Deep Blue and Donovan DeChance. I write in a set number of fictional locations, which probably facilitated this. I’ve created a sub-page on my website called “The Worlds of David Niall Wilson,” where I’m relaunching all of the books, one at a time, as NFT collectible editions (and eventually readers editions) through a company called Book.IO.
The first to come out was Heart of a Dragon, so the DeChance Chronicles will come out first. Readers of my work will know this ties in with the Cletus J. Diggs stories, the works I’ve done with Poe as a character, and the novels of the O.C.L.T. – but the standalone novels like Deep Blue, Ancient Eyes, and Darkness Falling intersect again and again.
I see myself taking twin paths going forward. I intend to continue the series books because I love the characters, but I am also working on new stories, a novella, and at least two novels that don’t directly connect — at least not yet. Still hoping for that one break-out, as are we all.
Sunday, January 22, 2023
When It Rains...
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| Old Rodan at the Old Leaksville Cotton Mill Dam in Eden, NC |
Well, you know the old adage. An interesting weekend, to say the least. I had intended to make my customary weekly trip to Pleasant Hill in Martinsville on Friday, but friends Joe & Suzy invited us to dinner, so I decided to push Martinsville back a day. It was definitely worthwhile — Suzy made pasta é fagioli, which we found incredible. There were Campari spritzes, Negronis, Ouzo, and plenty of vino (not all at once, or anything, haha). In remembrance of David Crosby, we rocked out to lots of Crosby, Stills, Nash, & (sometimes) Young. A lovely evening with good friends.
Saturday, I hit the road early to hunt a passel of new geocaches in Eden, which is right on my way to Martinsville. I got in a good bit of hiking — about three miles — and found all the caches. A very satisfying start to the day. However, Allison had forewarned me there was a plumbing issue at Pleasant Hill: the kitchen sink was totally stopped up. I gave it a couple of treatments with Drano, to no avail. So, being that plumbing work and I are not good friends, I feared a call to our regular plumbers in Martinsville was inevitable.
As it was, I had made plans for a late lunch with old friends Bob & Yvonne at Forest Park Country Club, so I decided that I’d call the plumbers when we were done. Allison and I met them at the grille and enjoyed an excellent lunch. Back in my old golfing/swimming days in Martinsville, I spent uncountable hours at Forest Park, so it was mighty pleasant to visit again. During our conversation, I mentioned our little plumbing issue, whereupon Bob indicated that he was skilled in the plumbing trade, thanks to his father. So, being true heroes of the day, Bob & Yvonne took it upon themselves to set our problem to right, which they did. They also invited us to spend the evening at their place for drinks and light hors d’oeuvres.
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Those aren’t saplings that toppled into the yard. |
However, going back to the title of this blog entry, after lunch, upon our arrival at Pleasant Hill, I discovered that all our recent rain had taken a toll on a couple of trees on the wooded hillside behind the house. Boom! Two huge trees had just fallen into the yard, one fully uprooted. Thankfully, they missed the house, but there are now two big trees lying more or less horizontally in the yard, as opposed to standing vertically in the woods where they belong. I have been planning to buy a chainsaw, as in relatively recent days, there have been several situations where one would have come in handy. Well, now’s the time because I’d rather just get the chainsaw and cut those fuckers down to size than pay someone else an arm and a leg to do the job. It’ll take considerable work, but I would say both Allison and I can use the exercise. Again, we were truly fortunate that the trees did not hit the house. That could have been very, very bad news.
Anyway, for the evening, Allison and I enjoyed refreshments of many varieties at Casa di Bob & Yvonne — and, once again, lots of Crosby, Stills, Nash, & (sometimes) Young filled the evening. Plenty of other great tunes as well. Much like our old next-door neighbors Paul & Jamie, Bob & Yvonne are masters of the magically refilling drink glass. One could not look away for a minute or so to find that, upon turning around, one’s glass was again completely full. And Yvonne’s guacamole is probably the best I’ve ever tasted anywhere. That’s not hyperbole.
So, another lovely evening with friends. At least our plumbing problem was solved, and without having to engage expensive plumbers. So many many thanks to Bob & Yvonne. I hope I can return the favor in some fashion.
I did have considerable difficulty getting out of bed this morning, courtesy of Allison’s little terror, Cannoli. He had me pinned for a good hour or more after I woke up. Then, during a spell of zoomies, he knocked off a whole shelf full of items in the den. And then had the audacity to gaze sweetly at me so I wouldn’t fuss at him.
I reckon the next order of business is getting that chainsaw. What a job I’ll have coming up soon...
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| A view of the bar in Bob & Yvonne’s basement. A thing of beauty, I would say. |
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| A lovely spread |
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| Why getting out of bed at Pleasant Hill is problematic |
Saturday, January 21, 2023
Tales From Arkham Sanitarium
At last! Dark Regions Press has released the hardback edition of Tales From Arkham Sanitarium, which features my story, “Clicks,” a tale of Lovecraftian madness and horror.
“There are things man was not meant to know and knowledge that burns those that learn it. Knowing too much, getting a glimpse of the truth behind the curtain we call reality, casting aside the bliss of ignorance and succumbing to the insanity that follows in the pursuit of damnable truths, is at the core of many of the stories of the Cthulhu Mythos. Insanity is central to Lovecraftian horror, so there is no wonder that a cathedral devoted to mending broken minds was raised: Arkham Sanitarium. Where the screams and cries of the damned are commonplace. Where those that have seen the faces of cosmic entities gibber with regret over their curiosity. Where men and women are cosigned to never ending purgatory for knowing too much. The machinations of the Old Ones are beyond the mental capacity of mankind, and these are the tales of those who learned that too late.”
Table of Contents
● “The Crying Man” by Tim Waggoner
● “Cosmic Microwave Background Radiation” by William Meikle
● “Malformed Articulation” by W. H. Pugmire
● “Bit by Bit” by Don Webb
● “Let me Talk to Sarah” by Christine Morgan
● “The Hunger” by Peter Rawlik
● “The Colors Of A Rainbow To One Born Blind” by Edward M. Erdelac
● “The River and the Room” by Joseph S. Pulver, Sr.
● “Veteran of the Future Wars” by Orrin Grey
● “Folie et déraison” by Nick Mamatas
● “Red Hook” by Glynn Owen Barrass
● “Clicks” by Stephen Mark Rainey
● “...& My Shoes Keep Walking Back To You” by Edward Morris
● “Forbidden Fruit” by Cody Goodfellow
● “Stained Glass” by Jeffrey Thomas
Friday, January 20, 2023
The Legend of Sam Lion
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| This remnant of one of the Hairston family’s old farming roads still lurks in the woods near my house. |
“The story of Sam Lion is a 175-year-old narrative of brutality and deadly revenge between a slave and his overseer. While several minor variations of the tale exist, the principal character has been immortalized in Martinsville by having a road — Sam Lions Trail — named after him.
“Sam Lions Trail is in the Forest Park neighborhood, an area of about 750 homes in the southeast part of the city. In the mid-1800s, this 1,050-acre tract belonged to the Hairstons, a prodigious family of farmers and slave owners who were headquartered at the Beaver Creek Plantation (now off Virginia Highway 108).
“The story goes that Sam Lion, the son of an African chieftain, was brought to this country, along with about 150 other slaves, and bought by one of the Hairstons. As the slaves started to walk from the auction stand, the hot, tired Prince slipped and almost fell. “Watch it there, Sam!” came the harsh voice of a red-headed overseer named Red Tupper. From then on, the Prince was known as Sam. Legend has it that the slave acquired his last name because he acted nobly and with the courage of a Lion.
“The Hairstons had divided their land into sections, and they sent Sam Lion and other slaves to clear one of the biggest tracts. Instead of climbing the long, high hills to get to work, Sam Lion cleared a path around them.
“Red Tupper was a cruel overseer, notorious for beating his slaves for little or no reason. One day he beat Sam Lion. Lion, knowing little English, responded, ”If you beat again, I kill.” Tupper merely laughed. But the next day, Sam Lion stopped to pick up a chain he had dropped, and Tupper hit him with a whip. Lion straightened up and roared, “Didn’t believe?” The slave then picked up his axe, swung it, and killed his overseer. Lion fled into the nearby woods, and for the next three years, he lived off the land, sheltering in caves and watching for signs of anyone searching for him.
“Eventually, some of the locals happened upon Sam Lion while he was sleeping in a cave. He was taken to jail, found guilty of murder, and hanged in the public square.”
Over the years, some have claimed to have seen the ghostly figure of Sam Lion roaming the woods in Martinsville’s Forest Park neighborhood. Me, I’ve never witnessed any such apparition... dammit... but as one who loves history (particularly local history), I find it both sobering and intriguing that the woods, creeks, and trails where I played as a kid — and still frequently haunt — provide the backdrop of this grim legend.
Thursday, January 19, 2023
Two Years Since the Universe Reached for a Good One
The Universe got a hell of a deal.
Tuesday, January 17, 2023
The Cache Maintenance Department
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| High Haw, high Haw... |
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| High, rushing water at the Haw River Trail in Swepsonville |
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| ...Is where I drew some blood... |
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| Strayhorn family graveyard near Hillsborough |
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| Old farts on parade — Old Dude, Old Rob, Old Diefenbaker |
Saturday, January 7, 2023
From the Spooky Place to the Haunted Island
I was in Martinsville this weekend, and I needed to perform maintenance on a few of my geocaches in the area, a couple of which lurk along the Fieldale Smith River Trail, just outside of town in Henry County. It’s probably my favorite trail anywhere, for it offers a scenic walk along the Smith River, in terrain that isn’t very difficult (unless one leaves the trail to hunt my geocaches). Walking south from either of its trailheads, one will eventually see, across the river, the hulking, ancient shape of the old Koehler warehouse, which, since childhood, I have called “The Spooky Place.” In my early teens and for some years beyond, for Halloween, the warehouse served as the setting for the local Jaycees’ haunted castle. I had a significant hand in that chapter of local history (the highlights of which you may read in the Horror Writers Association Halloween Haunts Blog), and it rates among my most prized memories.
This morning, I set out bright and early on the trail carrying my bag of geocaching supplies. After a while, even from a fair distance away, I could see the smokestack of the old monstrosity rising above the trees along the riverbanks. As I drew nearer, the bare winter trees offered me a relatively clear view of the building across the river. It’s been a few years since I’ve hiked out here, so I snapped a fair number of photographs, a couple of which I’m posting here.
My primary target was a cache called “Haunted Island,” a short distance farther down the trail from the Spooky Place. It does indeed reside on an island — which typically isn’t very hard to access unless the water is running high. Since we’ve had a lot of rain, the water level was pretty high, but my waterproof boots kept my feet dry. If you’re hunting my cache, it’s when you’re on the island that your terrain challenge begins, for the cache may be found some distance above your head. Your difficulty retrieving it largely depends on your vertical stature and upper body strength.
And how a cache in such a location goes missing is a perpetual mystery (if you zoom in on the proper spot, you can see the cache in the photo at left; note that it is tiny). Still, on occasion, go missing it does, so this morning, I performed the necessary acrobatics to put a new container in place. It’s back in play, and I’ll thank Mother Nature and nosy (and/or inordinately agile) muggles to leave the damned thing be, at least for a while.
After “Haunted Island,” I headed over to another of my caches called “Cachefishing,” which also resides above your head, though this one can be retrieved without any extraordinary acrobatics. I was somewhat dismayed to find that, in the recent past, a huge, fallen tree all but obliterated the cache’s hiding place. I expected to find this cache container missing as well, but — much to my surprise — it was still there and in good condition. Happily, it only took a small amount of adjustment to reset it, and it may now be retrieved as I originally intended it.
So, that’s another round of cache maintenance completed. Ordinarily, I find repairing and replacing caches one of the least satisfying aspects of geocaching, but in cases like this, it was downright fun. Not that I want to have to do it again right away.
Cache on.
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| The half-obliterated setting for "Cachefishing." Do you see the cache's hiding place? |
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| Another view of "The Spooky Place" |
Friday, January 6, 2023
The Monarchs on Audible
I rarely revisit my older works, as I tend to dislike them intensely.
When one of my books is released on audio, I usually listen to a portion of it
to get a feel for the narrator, and that’s about it.
I wrote
The Monarchs
in 2007–2008, and Crossroad Press published it in 2012. I reckon it's
my most messed-up book — by that, I mean it’s the novel that, when they
read it, my friends either quietly drift away or send me their
recommendations for getting therapy.
Recently, I realized I had listened to only a wee sample of The Monarchs upon its release, so, on a lark, I decided to listen to the whole damned thing. The incomparable Chet Williamson narrates it. He excels at grabbing and holding one’s attention, and turning the despicable into the respectable. Well, maybe. Sort of.
I reckon I owe Chet a debt.
Wednesday, January 4, 2023
FREE: “Masque of the Queen”
A FREEBIE! Submitted for your approval: a sampling from my short story collection,
Fugue Devil: Resurgence... a tale of eldritch horror titled “Masque of the Queen.” This one
originally appeared in
In the Court of the Yellow King
(Celaeno Press, 2014), a volume of stories inspired by
Robert W. Chambers’ “The King in Yellow” — a play that brings
madness, despair... or death... to anyone who reads it.
“Masque of the Queen” follows a young actress slated to play Queen Cassilda in an off-Broadway production of “The King in Yellow.” Unaware of the play’s dreadful reputation, she finds herself desperate to escape the clutches of something intent on dragging her into a realm of madness and horror.
It’s downloadable as a PDF or ebook (epub file)
from my website.
Sunday, January 1, 2023
A Carolina Beach New Year’s
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A lovely little graveyard we found while geocaching on the way into Carolina Beach |
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| A foggy morning on the beach |
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| A well-fed seagull taking flight, caught by Ms. B.’s camera |
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| Terry, Beth, Brugger, Old Dude |
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| The jet plane appears to have sprouted a pair of legs. Wonder what that could be about? |
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| Our Carolina Beach lodgings by night |
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| The bombs bursting in air a mile or so up the beach |
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| The USS North Carolina, seen from Wilmington’s River Walk |
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| Another view as the sun settled lower in the sky |
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| Our last toast as our evening drew to a close |
















































