Showing posts with label Mythos. Show all posts
Showing posts with label Mythos. Show all posts

Monday, June 22, 2026

New Edition of FUGUE DEVIL: RESURGENCE


In a new agreement with Black Raven Books, the original publisher of my short fiction collection, Fugue Devil: Resurgence, I have reacquired the rights to it and created a brand-new edition of the book, both paperback and ebook. It's the same collection, with essentially the same packaging, apart from minor decorative changes and a slightly smaller font for the interior (plus a few typo corrections). The price for both the paperback and ebook remains the same ($15.99 and $7.99, respectively).

ABOUT
FUGUE DEVIL: RESURGENCE
...
If you know about the Fugue Devil, it knows about you.
If you see the Fugue Devil, it will come for you.


Many decades ago, summoned by the power of music, the Fugue Devil — a dreadful, malevolent entity from another place — entered our world. Every seventeen years, it reappears to satiate its hunger for unsuspecting souls.

Author Stephen Mark Rainey’s terrifying novelette, “Fugue Devil,” originally appeared in his first fiction collection, Fugue Devil & Other Weird Horrors, in 1992. Now, Fugue Devil: Resurgence features the original novelette; its sequel, “The Devil’s Eye,” and ten more tales of horror and mind-bending terror.

“The Fugue Devil”: A thrilling midnight adventure turns into a dawning horror for two boys.
“Threnody”: A dirge for the dead; if you hear it, it’s too late.
“Night Crier”: A terror in the night that echoes through the years.
“Hell’s Hollow:” Hell is just a stone’s throw away.
“Masque of the Queen”: To read the play brings on madness, to perform the play…
“Somewhere, My Love”: Her music cast a spell because, of course, she was a witch.
“When Jarly Calls”: In this wine lies the darkest truth.
“Messages From a Dark Deity”: When the stars are right, the sky will fall.
“Short Wave”: Voices from the static hint at horrors to come.
“Escalation”: “I am John, your host. I have much to look forward to,” he said with a grotesque smile.
“Pons Devana”: Something inhuman from the future lurks in the shadows of the past…
“The Devil’s Eye”: Will capturing the image of a devilish horror render it powerless? Or simply draw its inescapable gaze to you?

Tuesday, June 9, 2026

Mark's Mythosphere

During the forty-some years I've been writing and publishing fiction, I have developed what amounts to a unique mythos, largely consistent with (if not necessarily part of) H.P. Lovecraft's so-called "Cthulhu Mythos." Like many writers from my generation—not to mention generations before and after—I came up as a fan of Lovecraft's works and many of my earliest stories qualified as little more than pastiches. None of them were publishable, but I consider them valuable practice runs for the works that would come after.

I've been asked on more than one occasion if I've made a definitive list of my stories and novels that fit into what I call the "Mythosphere," and the answer is no—until now! While some of my works definitely meet its (rather loose) criteria, others are harder to categorize; many might be called outliers, in that they share some common elements with my more overt Lovecraftian tales but don't fit neatly into any particular niche.
 
So, what is this Mythosphere? One of my earliest stories, titled "Threnody," latched onto the concept of sound—specifically music—as a means of bridging dimensions, inspired largely by HPL's "The Music of Erich Zann." In this story, I introduced a "music grimoire" titled The Spheres Beyond Sound, authored by one Maurice Zann. This volume served as a backdrop for a number of my early tales, and even some of my later ones. I never explored the character of Maurice Zann beyond describing him as an unspecified relative of HPL's character and stating that he vanished while experimenting with the musical formulae he devised.
 
The name Maurice Zann had what I'd call rather odd roots. When I was a youngster, I had a record album called A Child's Introduction to Music, and it was produced/narrated by one Maurice Zam. However, because this name was printed in a flowing script on the album cover, for many years, I read his name as "Zann." Thus was born Erich Zann's lesser-known relative.
 
I've written many stories over the years specifically for Lovecraftian/Cthulhu Mythos publications, though my preference has always been to shy away from specific Lovecraftian entities/settings/characters whenever possible. In any event, these overt Cthulhu Mythos stories comprise the earliest building blocks of my personal Mythosphere. As I continued to create fiction, I developed a few settings and characters that have appeared in numerous works. With my long history in the Piedmont and Appalachian regions of Virginia, I naturally gravitated toward them as atmospheric settings. The fictional Sylvan County and town of Aiken Mill are loosely based on the Martinsville/Henry County area where I grew up (and to which I've retired). Beckham College is based on Ferrum College in nearby Franklin County (Benjamin Beckham was Ferrum's first president). Barren Creek is based on Henry, Virginia, located between here and Ferrum. Also, since I lived in Chicago for several years, it has served as the setting of numerous stories and books.
 
In short, those works that I include in the Mythosphere are always rooted in cosmic horror to some degree or another, and most of them fit neatly into a fictional history of the regions in which they're set, occasionally with shared characters. One example of an outlier might be my second novel, The Lebo Coven (1994), which is set in Aiken Mill, though I consider it more an occult-based mystery than a true example of cosmic horror. The town sheriff in this novel is named George Parrott; in my recent novel, The House at Black Tooth Pond (2025), which is a distinct blend of folk and cosmic horror, the sheriff is Bryce Parrott, George's son (and he also appears in my new sequel to The House at Black Tooth Pond, titled Broken Barriers, to be released later this year by Crossroad Press/Macabre Ink).
 
And so, with no further ado, I will present here my list of stories and novels that I consider bona fide entries in Mark's Mythosphere. The year shown is when the works were written, and the bulleted entries denote the places/years of publication. Make of this what you will.

Mark's Mythosphere:
1985
“Smiert Galgalith”
   • The Haunted Journal (magazine, 1987)

“The Grey House” (short story)
   • Crypt of Cthulhu (magazine, 1992)
   • The Last Trumpet (collection; Wildside Press, 2000)

1986
“The Arms of Doom” (short story)
   • Deathrealm (magazine, 1987)

1987
“Threnody”
(short story)
   • Deathrealm (magazine, 1987)
   • The New Lovecraft Circle (anthology; published under the title "The Spheres Beyond
         Sound"; Fedogan & Bremer, 1996)
   • The Last Trumpet (collection; Wildside Press, 2000)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

“The Red Depths” (short story)
   • Revelations From Yuggoth (magazine, 1987)

“The Spheres Beyond Sound” (short story)
   • Tales of Lovecraftian Horror (magazine, 1987)
   • The Last Trumpet (collection; Wildside Press, 2000)

“Rapture in Black” (short story)
   • Crypt of Cthulhu (magazine,1987)
   • The Innsmouth Cycle (anthology; Chaosium, 1998)
   • Other Gods (collection; Dark Regions Press, 2008)

1988
“God of Byzantium” (short story)
   • Aberations (magazine, 1991)

“Symphonia Maledictus” (short story)
   • Dagger of the Mind (magazine, 1990)

“Chameleon” (short story)
   • Eldritch Tales (magazine, 1990)

1989
“Spiritual Radio” (short story)
   • Chills (magazine, 1992)
   • The Last Trumpet (collection; Wildside Press, 2000)

“Misfits” (short story)
   • Midnight Zoo (magazine, 1991)
   • Quick Chills (anthology; Scream Factory Books, 1992)
   • The Last Trumpet
(collection; Wildside Press, 2000)

“The Last Trumpet” (short story)
   • Limited Infinity (magazine, 1991)

“Return of the Navigator” (short story)
   • Fugue Devil & Other Weird Horrors (collection; Macabre Ink, 1992)

1990
“Fugue Devil” (novelette)
   • Fugue Devil & Other Weird Horrors (collection; Macabre Ink, 1992)
   • The Last Trumpet (collection; Wildside Press, 2000)
   • Other Gods (collection; Dark Regions Press, 2008)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

1991
“The Last Show at Verdi’s Supper Club” (short story)
   • After Hours (magazine, 1992)
   • Song of Cthulhu (anthology; Chaosium, 2001)

“The Herald at Midnight” (short story)
   • Not One of Us (magazine, 1992)
   • The Last Trumpet (collection; Wildside Press, 2000)

1992
Balak (novel)
   • Wildside Press (paperback/ebook, 2000)
   • Crossroad Press/Macabre Ink (audiobook, 2010)
   • Crossroad Press/Macabre Ink (revised edition; paperback/ebook, 2026)

1993
“Stalker of the Wild Wind” (short story)
   • Terminal Fright (magazine, 1993)
   • The Ithaqua Cycle (anthology; Chaosium, 1999)
   • Legends of the Night (collection; Wildside Press, 2001)

“Sabbath of the Black Goat” (short story)
   • The Shub-Niggurath Cycle (anthology; Chaosium, 1994)
   • The Last Trumpet (collection; Wildside Press, 2000)

1994
The Lebo Coven (novel)
   • Thomson Gale/Five Star Books (hardback, 2004)
   • Crossroad Press/Macabre Ink (paperback/ebook/audiobook, 2010)

“S” (short story)
   • The Azathoth Cycle (anthology; published under the title “The Pit of Shoggoths,”
         Chaosium, 1996)
   • The Last Trumpet (collection; Wildside Press, 2000)

1995
“To Be as They” (short story)
   • Miskatonic University (anthology; DAW, 1996)
   • The Last Trumpet (collection; Wildside Press, 2000

“The Devil’s Eye” (short story)
   • Midnight Shambler (magazine, 1997)
   • The Last Trumpet (collection; Wildside Press, 2000)
   • Other Gods (collection; Dark Regions Press, 2008)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

1996
“Shudder Wyrm” (short story)
   • Singers of Strange Songs (anthology; Chaosium,1997)

“The Fire Dogs of Balustrade” (short story)
   • New Mythos Legends (anthology; Marietta Publishing, 1999)
   • The Last Trumpet (collection; Wildside Press, 2000)
   • Other Gods (collection; Dark Regions Press, 2008)

1997
“Orchestra” (short story)
   • October Dreams (anthology; CD Books, 2000)
   • Legends of the Night (collection; Wildside Press, 2001)

“Pachacutec” (short story)
   • Deathrealm (magazine 1997)

1999
“The Children of Burma” (short story)
   • The Spook (magazine, 2001)
   • Legends of the Night (collection; Wildside Press, 2001)
   • The Cthulhu Mythos Megapack: 40 Modern & Classic Lovecraftian Stories
     
(mega-anthology; Wildside Press, 2013)

2001
“Epiphany: A Flying Tiger’s Story” (short story)
   • Dead But Dreaming (anthology; DarkTales Books, 2001)
   • Dark Homage (series; Delirium Books, 2004)
   • Other Gods (collection; Dark Regions Press, 2008)

2002
Blue Devil Island (novel)
   • Thomson Gale/Five Star Books (hardback, 2007)
   • Marietta Press (paperback, 2012)
   • Crossroad Press/Macabre Ink (paperback/ebook/audiobook, 2015)

2003
“The Violet Princess” (short story)
   • Eldritch Blue (anthology; Lindisfarne Press, 2004)
   • Other Gods (collection; Dark Regions Press, 2008)

2004
“The Transformer of Worlds” (short story)
   • Daikaiju (anthology; Agog Press, 2005)
   • Other Gods (collection; Dark Regions Press, 2008)

2005
“Other Gods” (short story)
   • Cemetery Dance (magazine, 2006)
   • Other Gods (collection; Dark Regions, 2008)

2006
“Contact” (short story, with John Pelan)
   • Black Wings of Cthulhu IV (anthology; PS Publishing, 2016)

“The Ghost Lens” (short story)
   • Horrors Beyond II (anthology; Elder Signs Press, 2007)
   • The Gaki & Other Hungry Spirits (collection; Dark Regions Press, 2011)

“Messages From a Dark Deity” (short story)
   • Return of the Old Ones (anthology; Dark Regions Press, 2016)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

2007
“Signals” (short story)
   • High Seas Cthulhu (anthology; Elder Signs Press, 2007)
   • Other Gods (collection; Dark Regions Press, 2008)

“Abroyel” (short story)
   • The Gaki & Other Hungry Spirits (collection; Dark Regions Press, 2011)

2010
“Beneath the Pier” (short story)
   • Lovecraft eZine (webzine, 2013)

“The Warlords of Leng” (short story)
   • Secret Asia’s Blackest Heart (anthology; Timaios Press, 2021)

“The End of Henry Switch Road” (short story)
   • Dark Discoveries (magazine, 2012)

2011
“The Danforth Project” (short story)
   • The Mountains of Madness (anthology; Celaeno Press, 2015)

“The Gods of Moab” (novelette)
   • Damned Rodan Publishing (ebook, 2012; paperback, 2024)

“Ecstasy of the Gold”
(short story)
   • Lovecraft eZine (webzine, 2012)

2013
“The Game Changers” (short story)
   • World War Cthulhu (anthology; Dark Regions Press, 2014)

“When Jarly Calls” (short story)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

2014
“Masque of the Queen” (short story)
   • In the Court of the Yellow King (anthology, Celaeno Press, 2014)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

“Short Wave” (short story)
   • The Summer of Lovecraft (anthology; Chaosium, 2019)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

2016
“The Diaries of Henry P. Linklatter” (short story)
   • Through a Mythos Darkly (anthology; PS Publishing, 2017)

2017
“The Veil of Dreams” (short story)
   • Tails of Terror (anthology; Golden Goblin Press, 2018)

“Clicks” (short story)
   • Tales From Arkham Sanitarium (anthology; Dark Regions Press, 2022)

2018
“Pons Devana” (short story)
   • Fugue Devil Resurgence (collection; Black Raven Books, 2022; reissued by Damned
         Rodan Publishing, 2026)

2022
“Nimbus” (short story)
   • The Weird Cat (anthology; WordCrafts Press, 2023)

2023
“The House at Black Tooth Pond” (short story)
   • Shunned Houses (anthology; WordCrafts Press, 2024)

2024
The House at Black Tooth Pond (novel)
  • Crossroad Press/Macabre Ink (paperback/ebook/audiobook, 2025)

“Throatwarbler Meets the Vampire” (short story)
   • Eldritch Force (anthology; Weird House Publishing, publication TBA)

“Foragers” (short story)
   • Witches and Witchcraft (anthology; Hippocampus Press, 2025)

2025
Trial Phase (short story)
  • Shoggoths (anthology; Crossroad Press, publication TBA)

2026
Broken Barriers
(novel)
   • Crossroad Press/Macabre Ink (publication TBA)


Saturday, May 30, 2026

Coming Soon: The New, Revised Edition of BALAK

The production work on the new, revised edition of my first novel, Balak, has been completed, so I'm anticipating the book release in the very near future. This will be an ebook and paperback release; the audiobook is available from Crossroad Press, though it's the original version. The legendary M. Wayne Miller has provided the artwork, and I'm thrilled with it.
 
I had posted a few details about this release in my May 16 blog entry, "New, Revised Edition of Balak in the Pipe," and as soon as I have any ordering information, I will of course share it here, there, and everywhere.
 
Also, it's kinda nice when I see this sort of thing on social media. One of Ms. B.'s friends found The House at Black Tooth Pond at her local library and was kind enough to shared it online. Huzzah!

Saturday, May 16, 2026

New, Revised Edition of BALAK in the Pipe


Back in 1992, after having spent several years writing exclusively short fiction, I buckled down and wrote my first novel, Balak. My agent at the time very quickly found a mass-market publisher who was interested in the book, and for a while, it looked like its publication was in the bag. Unfortunately, before I even signed the contract — as so frequently happens in the publishing business — the imprint that would have launched Balak went the ways of the wind, leaving the novel without a home. Sometime afterward, though, Wildside Press, a much smaller but prolific and respected publishing house, picked up the novel, and released it in 2000 (for reasons unknown, Amazon.com shows Balak's publication date as 2003, but that is incorrect), along with my short fiction collection, The Last Trumpet.
 
Recently, I've had a mind to do something more with the book because the character, Balak (whom I appropriated from the Bible), has played a significant role in a number of my works of fiction — including a very new one. Since Wildside Press has had the rights to the book for... OMG, twenty-six years (and has done very well with it, I'm pleased to say)... I decided to reclaim the paperback and ebook rights (Crossroad Press has the audiobook rights, and it is currently available), revise it so that it reads less like the inaugural outing of a very green novelist, and repackage it. The first step is complete, and I have also secured the rights an apt piece of art by the incomparable M. Wayne Miller, whose work adorns several of my book covers as well as numerous stories I published in Deathrealm magazine back in the day. Note that the cover image above is a dummy I created with Wayne's art; it is subject to change.
 
The long and short of it is that I am currently in the revision process, and once it's all done, Crossroad Press will release the new paperback and ebook editions (the audiobook will remain the original). I anticipate having this all in the bag in the next couple of months, so it will hopefully to precede the release of Broken Barriers, which is also in the pipe.

So, I hope this will be cause for celebration and that you unfortunate souls who were exposed to the original product will avail yourself of the new edition rather than go the rest of your lives wondering what the hell was wrong with that peculiar young writer.*
 
*Now, you may rightly wonder what the hell is wrong with that peculiar old writer.

Monday, June 3, 2024

New Short Story Complete: "The Foragers"

New story completed, submitted, and...accepted! The story, "The Foragers," will be appearing in an upcoming anthology — details will follow when the all-clear sounds — most likely early in 2025. It's set in the Revolutionary War, just before the Battle of Guilford Courthouse, which occurred on March 15, 1781, more or less in our backyard when we lived in Greensboro. Here's a wee excerpt.
#
The fast-flowing stream was called Alamance Creek, and now that darkness had fallen, it was easier to hear than to see. After so many hours, Lieutenant William Voss found it impossible to believe that he and Sergeant Thomas Landrake had yet to emerge from these deep woods. And that, somehow, they now found themselves alone.

Since breaking camp in Hillsborough—God knew how many days ago—General Cornwallis had pushed his army at a hard march, with no provisions other than what each man could carry, so hunger and thirst had begun to take a deadly toll. This morning, Voss and Landrake, along with eight hand-picked men of the Duke of Wellington’s Regiment, had departed their new encampment along the southern banks of Alamance Creek and followed the stream through the woods, expecting to come upon farms or villages where they might plunder food, water, tobacco, and whiskey. To their dismay and disbelief, the damned woods appeared to go on forever.
 
And then…

“Where in bloody hell did we get separated?” A burly, powerful man from Glastonbury, Landrake’s voice sounded like a bear’s growl. “And how? We were all together, and then we weren’t.”

With great effort, Voss kept his voice measured. “I wish I knew. But they can’t be far away.”

“Winters! Carlisle! Pryce! Where the hell are you?”

The stream’s gurgling voice could hardly have overpowered Landrake’s. But the otherwise silent darkness offered up no reply.
#
Hope that piques your interest. Stay tuned for more details and news about the book's release!

Saturday, January 21, 2023

Tales From Arkham Sanitarium


At last! Dark Regions Press has released the hardback edition of Tales From Arkham Sanitarium, which features my story, “Clicks,” a tale of Lovecraftian madness and horror.

“There are things man was not meant to know and knowledge that burns those that learn it. Knowing too much, getting a glimpse of the truth behind the curtain we call reality, casting aside the bliss of ignorance and succumbing to the insanity that follows in the pursuit of damnable truths, is at the core of many of the stories of the Cthulhu Mythos. Insanity is central to Lovecraftian horror, so there is no wonder that a cathedral devoted to mending broken minds was raised: Arkham Sanitarium. Where the screams and cries of the damned are commonplace. Where those that have seen the faces of cosmic entities gibber with regret over their curiosity. Where men and women are cosigned to never ending purgatory for knowing too much. The machinations of the Old Ones are beyond the mental capacity of mankind, and these are the tales of those who learned that too late.”

Table of Contents
 ● “The Crying Man” by Tim Waggoner
 ● “Cosmic Microwave Background Radiation” by William Meikle
 ● “Malformed Articulation” by W. H. Pugmire
 ● “Bit by Bit” by Don Webb
 ● “Let me Talk to Sarah” by Christine Morgan
 ● “The Hunger” by Peter Rawlik
 ● “The Colors Of A Rainbow To One Born Blind” by Edward M. Erdelac
 ● “The River and the Room” by Joseph S. Pulver, Sr.
 ● “Veteran of the Future Wars” by Orrin Grey
 ● “Folie et déraison” by Nick Mamatas
 ● “Red Hook” by Glynn Owen Barrass
 ● “Clicks” by Stephen Mark Rainey
 ● “...& My Shoes Keep Walking Back To You” by Edward Morris
 ● “Forbidden Fruit” by Cody Goodfellow
 ● “Stained Glass” by Jeffrey Thomas



Wednesday, June 22, 2022

A Graveside Chat with Brian M. Sammons

Author/editor Brian M. Sammons is one of the busiest gentlemen in the business, with dozens of anthologies he has edited/co-edited, short fiction aplenty, and a possible movie deal in the works. He may be best known for his work in the world of Lovecrafian/weird fiction, and he frequently collaborates with author/editor Glynn Owen Barrass (whose Graveside Chat interview may be found here). Brian took a little time out to participate in this edition of A Graveside Chat.



GC: You are very active in the writing and editing business — particularly in the world of Lovecraftian horror. What draws you to this particular sub-genre, if we should call it that? Do you tend to write tales that fit into specific Lovecraftian lore — i.e., the myriad conventions of the Cthulhu Mythos — or are you more inclined to draw on the concepts that inspired those conventions and veer off into your own territory? Or some of both, perhaps?

BMS: I guess a bit of both. I am not above rooting around in the big sandbox left to us by H.P. Lovecraft or even playing with some of his well-used toys. But then I am also keen on doing my own thing within the broader sub-genre of Cosmic Horror. I am a fan of many different types of horror, from classic ghostly tales to splattery stories of psychos, but whatever the flavor, I love the unexplainable and the inescapable, and Lovecraft’s brand of horror does that far better than most. I think that is why when I first read him at a tender age I instantly fell in love with his weird world.

GC: Who are your favorite contemporary authors? Do you find that they inspire and/or influence your writing (or editing)? Are there any particular authors you haven’t yet published that you would like to?

BMS: By contemporary, I guess you mean living, so that's how I’ll take it. Of course, there’s both Stephen King and Clive Barker. Ramsey Campbell is in my opinion the best living author of Cthulhu Mythos stories, not to mention his own brand of terror. There’s also the wonderful Joe Lansdale. All of them (along with long-gone greats like Lovecraft, Robert E. Howard, Robert Bloch, and Richard Matheson) have had a huge influence on my own writing. I have had some dealing with Campbell and Lansdale and both were a joy to work with and would love to do so again. As for some newer names, I am a huge fan of Adam Nevill and would love to do something with him, and Paul Tremblay, whom I’ve worked with just a little and would love to do so again. As for others, well if you check out my anthologies you will see a few names that appear again and again. That’s because I love their stories and they are absolutely a joy to work with. There are far too many to name them all, but some highlights would include Jeffrey Thomas, William Meikle, Mercedes Murdock Yardley, Pete Rawlik, Christine Morgan, Tim Waggoner, John Langan, Lois Gresh, and man, there really are too many to mention.

GC: You’ve collaborated on numerous projects, perhaps most notably with author/editor Glynn Owen Barrass. Do you prefer collaborating with others, as opposed to working solo, particularly on editing projects? Does collaborating pose any unique creative challenges — or specific benefits? Is there anyone you’d particularly care to collaborate with that you haven’t already?

BMS: Yeah, I adore Glynn and we have done a bunch of books and stories together. I've also done a bit with David Conyers, as well as one-offs with a handful of others. I love collaborating in both writing and editing, as it’s fun to bounce ideas back and forth with someone and, like they say, many hands make for light work. But I’ve also done many things on my own, so I guess I’m easy and just go with the flow when the opportunity presents itself. As for any challenges, well I’ve got to have a good relationship with whomever I collaborate with, and we soon discover a shorthand between us to make things easier. I mean, Glynn and I have been doing this for so long that each of us can just focus on our own part of things and trust completely that the other guy will hold up his end. It sometimes feels like that twin ability to finish each other’s sentences.


GC: Can you talk about any upcoming publications — either that you’ve edited or written? How about any special projects you’d like to set in motion in the future?

BMS: As far as upcoming projects, Glynn and I just finished up an anthology for PS Publishing called Mystery, Murder, Madness, Mythos. It’s a collection of detective/mystery fiction of all stripes that meets the horror of the Cthulhu Mythos. From Dark Regions Press there is Tales From Arkham Sanitarium that I did by myself. That one focuses on how madness and insanity are integral parts of Cosmic Horror. And no, I don't just mean that the protagonist goes cuckoo at the end and writes a rambling note before offing themselves. Lastly, there is a HUGE project that David Conyers and I are working the logistics out now. I can't say more than that right now, only that it will be awesome if we do it right. Other than that, I’ve always got other titles in the works, and taking up space in my head until I can get them out. As for special projects that I’d like to see set in motion, there is a film production company that optioned the rights to my story, “One Way Conversation” about eight years ago. They keep renewing the option and saying that they want to do it, I just really wish they would get it done already.

GC: Thank you, Brian, and best wishes on all your upcoming projects.

BMS: Thank you so much for having me here.


Visit Brian M. Sammon’s Amazon.com
book page here
.


Coming Soon: Graveside Chats with Maurice Broaddus and many more!