Showing posts with label Elizabeth Massie. Show all posts
Showing posts with label Elizabeth Massie. Show all posts

Tuesday, November 11, 2025

Moose Is Home, Terror at Collinwood, and Other Fun Horrors


Mr. Moose was able to come home yesterday, though he still requires blood sugar monitoring and a battery of medications. He's eating normally and seems much more comfortable now. We're hoping he's going to do well for the duration, as we're feeling quite done with the trauma of having to take him to veterinarians both in and out of town. It's bad enough that it's so hard on him, but the financial burden is astronomical. He is family, though, and we're doing what we've gotta do under these circumstances.
 
It's a busy day all around for me. A little earlier, friend Bob Issel and I participated in a chat with Danielle Gelehrter (a.k.a. Penny Dreadful) for her Terror at Collinwood podcast. This one was about the release of Our Shadowed Past III, the massive;Dark Shadows book that Bob and I recently produced (see "Our Shadowed Past III Is in the House," November 4, 2025). It was a great conversation that ran about an hour, and it should appear online within a week. If you're at all a fan of Dark Shadows, this podcast is for you. Of course, I'll post an alert when the episode is live.

I've got another podcast at 7:00 p.m. EST this evening, this one with the Lovecraft eZine group. It's to be a discussion of Roman Polanski's classic film, The Ninth Gate. It's a favorite horror flick of mine, and Brugger and I watched it for the umpteenth time just before Halloween. I believe the movie discussion is for eZine editor Mike Davis's Patreons only, and if you're not currently subscribing to his podcasts, you really otter.

This afternoon, I'm hard at work on Freezer Burns, the newest collaboration between Elizabeth Massie and me. We can see the light at the end of the tunnel, and we're hoping to have it finished up in the very near future.

Thursday, September 7, 2023

The House of Haunted Hill

Just hung several paintings by Charles Hill, respected artist and longtime friend going back to elementary school.

Top left: Widget, my mom & dad's little dog back in the 80s and 90s; Top right: the view from Charles's front yard; Bottom left: my dad walking Widget from the early 90s; Bottom right: my daughter, Allison Hiiri Rainey, about age 8, running along the banks of Lake Lanier, just down the street from here.

Charles also provided several damn scary pieces of art for Deathrealm magazine back in its day, including this one, which served as an illustration for Elizabeth Massie’s story, “No Solicitors, Curious a Quarter”:

Tuesday, June 16, 2020

Ameri-Scares: Ohio: Fear the Grassman!


GRASSMAN: THE OHIO BIGFOOT
’Tis here! My latest novel in Elizabeth Massie’s Ameri-Scares series for young readers from Crossroad Press: Ohio: Fear the Grassman! The Kindle edition is now available, and the paperback and audio editions will follow soon.

THE STORY:
Five years ago, young Landon Shrewsbury saw something that scared him to death: a giant, shadowy figure lurking in the woods around his house. Something that left huge footprints in his yard. Now, at age thirteen, Landon has convinced himself he imagined the whole experience. But now, numerous people in Sugarcreek, Ohio, report seeing just such a creature. When his parents leave town for a week-long vacation, Landon is left in his older brother's care. And to his horror, the frightening, shadowy menace from his childhood returns. Landon, his brother Kevin, and his new friend Tami suddenly find themselves being stalked by the fearsome giant known as the Grassman. Now, the three of them must discover the reason for the beast's return—and find a way to stop its violent rampage—before they fall victim to its inhuman fury.

The Ameri-Scares series from Crossroad Press is currently being developed for television by Warner Brothers and Margot Robbie's LuckyChap Entertainment.

You can check out a couple of excerpts from Ohio: Fear the Grassman! here:

Order Ohio: Fear the Grassman! from Amazon.com here.

Thursday, January 30, 2020

Thorne & Cross: Haunted Nights LIVE!
Now You Just Listen Here...

'Tis done — Ms. Massie and I appeared this evening on Thorne & Cross: Haunted Nights LIVE!, courtesy of hosts Tamara Thorne, Alistair Cross, and regular guest interviewer QL Pearce. A fun (for us, at least!) half-hour show, primarily about the Ameri-Scares Series for Young Readers. Fifteen minutes before the show began, I sent the manuscript of my latest — Ohio: Fear the Grassman! — to Crossroad Press. I'm not sure of a release date as yet, but so far, the Ameri-Scares books I've completed so far have been released fairly quickly after I've turned them in. Will keep you posted, of course.

Listen to the episode here — Elizabeth Massie & Stephen Mark Rainey on Thorne & Cross: Haunted Nights LIVE! — and then run for your lives. Or sit back and have a relaxing drink. Whatever floats the boat, and all that.

Friday, January 17, 2020

Ameri-Scares on Thorne & Cross: Haunted Nights LIVE! • 30 January 2020 • 8 PM EST

Authors Tamara Thorne and Alistair Cross, in addition to writing wickedly weird novels, run their own interview show on Authors on the Air Radio. Every Thursday evening at 8:00 PM EST (5:00 PM PST), you can find them at their best, grilling authors of dark fiction (sometimes with hot sauce). On Thursday, January 30, Elizabeth Massie and I will take our turns on the air, talking primarily about the Ameri-Scares series for young readers. Currently, I am finishing up my third novel in the series, Ohio: Fear the Grassman! Elizabeth has just turned in her newest, for the state of Montana.

The Ameri-Scares series is currently being developed for television by Warner Brothers and Margot Robbie's LuckyChap Entertainment.

You can tune in to Haunted Nights LIVE on January 30 at 8:00 PM EST using the following link: https://www.blogtalkradio.com/authorsontheair/2020/01/31/elizabeth-massie-stephen-mark-rainey-join-thorne-cross-haunted-nights-live. Check out their Facebook page at https://www.facebook.com/HauntedNightsLIVEpodcast.

We hope you'll join us.

Wednesday, July 24, 2019

‘Ameri-Scares’: Margot Robbie’s LuckyChap & Assemble Media Developing Family Horror Anthology

A bit of happy news regarding Elizabeth Massie's Ameri-Scares series....

This deal has been in the works for a while, and Ms. Massie can finally announce that Margot Robbie and her LuckyChap Entertainment are teaming with Assemble Media and Warner Horizon to develop the Ameri-Scares book series as a family-friendly horror anthology broadcast and/or streaming series.

There are fifty books planned for the Crossroad Press series, one for each state, each involving legends, folklore, or historical events from that particular state. Eleven have been released so far, including two of my own contributions, West Virginia: Lair of the Mothman and Michigan: The Lake Superior Dragon. I do have more in the pipeline, including books for Georgia and Ohio. At this point, the TV series is still in development, and I will of course post more news when it's available.

Visit Deadline.com for more details.

Saturday, July 13, 2019

It's Here! Michigan: The Dragon of Lake Superior


Yep! It is now officially released — in ebook and paperback, with audio book to follow soon — from Crossroad Press: my latest entry in Elizabeth Massie's Ameri-Scares series for young readers.


On a hike along the shores of Lake Superior, thirteen-year-old Anna Hendrix sees a huge creature rise from the waters, and — to her horror — sink a tour boat. Soon afterward, Jeff Grigg, also thirteen, encounters a similar but smaller creature in the woods around his parents' vacation house.

Unable to resist investigating, both Anna and Jeff venture into the nearby forests. They meet each other at a huge waterfall, where they discover a hidden cave. Inside it, they find a cave painting of a creature that resembles the ones they have seen. Suddenly, in a bizarre twist of time and space, the youngsters are transported to strange, unknown land, vastly different from the Michigan they know. Here, they meet a mysterious but friendly young man who calls himself Skyhawk. He claims to be a member of a civilization that can only be reached by way of the cave.

In this bizarre land, huge monsters roam freely. Skyhawk and his people worship the beasts as gods. But while the people of this land appear welcoming, Anna and Jeff discover they hide a deadly secret. And the two youngsters realize they must somehow find their way back home before the passage between the two worlds closes forever.
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Each Ameri-Scares novel is based on or inspired by an historical event, folktale, legend, of myth unique to that particular state.

Tuesday, April 2, 2019

Dark Shadows Passing

It was on this date, 48 years ago, that my youthful world fell apart. As far as I was concerned, I faced a dismal future, bereft of hope and steeped in misery. I'm referring, of course, to the day the final episode of Dark Shadows aired, on Friday, April 2, 1971. For several years, Dark Shadows had been my holy grail, for in those days, in order to pick up the channel that broadcast the show — WLVA, Channel 13 out of Lynchburg, VA — you had to have cable. And we didn't get cable at home until 1969, more than halfway into the show's run. Prior to that, I would catch Dark Shadows as often as possible at certain friends' houses, or at my grandparents' place in Georgia when we went to visit them two or three times a year. I had seen the very first episode, and the couple that followed, on one of our visits south, and even though the show had yet to take on its overtly supernatural character, it had hooked me, as much as anything by composer Robert Cobert's most memorable score. The day we arrived back in Martinsville after our visit, I was all pumped to settle in with Dark Shadows permanently, only to discover that the ABC affiliate station we picked up — WGHP, Channel 8 out of High Point, NC — didn't carry the show. That was an error of omission for which I've never really forgiven them.

It was these sporadic viewings, though, that made the show such a magical mystery. When I could occasionally tune in, I had nary a clue what was going on in the story, but I became enthralled nonetheless. In late 1969, Dad saw fit to get cable for our house, and suddenly, Dark Shadows was mine, all mine. It was right at the beginning of the Leviathans storyline, which, sadly, many fans consider the beginning of the end. Not me, though. I found it scary as hell and, to this day, I have a soft spot for that particular subplot. I revisited it, as a matter of fact, in Curse of the Pharaoh, my second script for Big Finish's Dark Shadows audio series.

I think it was no more than a few days before the series' finale when I heard the news the great estate of Collinwood was being shuttered. I couldn't believe it. I was devastated. It's safe to say I was immersed in a love affair with the show that was unprecedented in my eleven somewhat less-than-worldly years. (We can discuss juvenile psychological health some other time, thank you very much.) On that day, as I watched the episode, my heart pounded, my palms awash in sweat. As the story neared its final moments — what's this? — they're setting up a whole new set of complications. This couldn't possibly be the end! There was a new vampire on the estate! But then, as the eerie theme rose, the familiar voice of actor Thayer David came on to say, "There was no vampire loose on the great estate. For the first time at Collinwood, the marks on the neck were, indeed, those of an animal." After a recap of the current crop of characters' fates, he says, in reference to Bramwell (Jonathan Frid) and Catherine (Lara Parker), "Their love became a living legend. And for as long as they lived, the dark shadows at Collinwood were but a memory of the distant past."

I'm pretty sure I bawled long and hard at the end of all that. And, like millions of youngsters around the country, on the following Monday, I turned on the TV at 4:00 p.m., praying it was all a mistake, a terrible April Fools joke. Something. Anything but the end of Dark Shadows.

Password, starring Alan Ludden, had taken over that sacred time slot.

Needless to say, time marched on, people grew up, Dark Shadows resurfaced in syndication, and then on home video. At this point, I've seen the entire 1,225-episode run at least twice, and considerable portions of the series many times more. I've co-written with Elizabeth Massie an authorized Dark Shadows novel for HarperCollins Dark Shadows: Dreams of the Dark — and scripted three of Big Finish's Dark Shadows audio dramas — Path of Fate, starring David Selby and Lara Parker; the aforementioned Curse of the Pharaoh, starring Nancy Barrett and Marie Wallace; and Blood Dance, starring David Selby and Lisa Richards. Plus, I wrote a follow-up to Dreams of the Dark titled The Labyrinth of Souls that never made it into print due to HarperCollins shutting down its tie-in division HarperPrism. However, I have made the novel available strictly as fan fiction on my website. You can check it out here.

So, for me, Dark Shadows, thankfully, never truly died on April 2, 1971. Who knows, if it had continued, history might have gone very differently for me. Impossible to speculate. But for all the pain my poor little weenie heart suffered in those days, I can't complain much about the outcome.

Wednesday, March 6, 2019

Excerpt 3: West Virginia: Lair of the Mothman


Here's another little excerpt from West Virginia: Lair of the Mothman, my first novel in Elizabeth Massie's Ameri-Scares series. In this scene, Vance and Marybeth, two thirteen-year-olds, and Vance's older brother, Zack, have just come out of a culvert after searching for a geocache....
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Vance had never felt such relief as when he saw the windshield of Zack’s Buick gleaming faintly in the darkness. The more distance they had put between themselves and the culvert, the more his nerves had calmed. Still, he felt anything but relaxed in the chilly night air. When Zack popped the trunk and they stowed their gear inside, Vance thought—sadly—that he had never been so glad for a geocaching adventure to end.

Zack slid into the driver’s seat. Marybeth took the front passenger seat, and Vance fell into the back seat behind her. Zack glanced at him. “You, I don’t know about, but your girlfriend rocks.”

“She’s not my girlfriend.”

“I’m not his girlfriend,” Marybeth said.

“Whatever. We got first-to-find honors, a night cache, and an underground cache all in one. That’s not a bad night’s work.” Zack started the engine and shifted into reverse. As he began to turn the car around, he hit the brake. “Hey,” he said, and pointed into the trees off to the right. “I didn’t realize there were other reflectors out here.”

Vance and Marybeth both looked where he was pointing.

“Oh, no,” Marybeth whispered.

From high in the branches of the trees, two brilliant red eyes were peering down at them.

They were not bicycle reflectors, Vance thought.

“You two act like you’ve seen a ghost,” Zack said.

“Let’s get out of here,” he said to his brother. “I’ll tell you about it later.”

Zack shrugged and completed his turn. Then they were speeding east on Potter’s Creek Road, which led to the turnoff to Broad Run. Vance slid toward the driver’s side and peered out. There they were—two blazing red eyes—just beyond the nearest line of trees. Keeping pace with the car.

Zack’s head kept turning so he could look out at the brilliant red orbs. “Gotta be a bird of some kind. Big owl, maybe. A very, very big owl.”

“Or a sandhill crane,” Marybeth said. “That’s what some people thought it was. But it’s not. It’s not sandhill crane. Or an owl. Or a bird of any kind. Is it, Vance?”

“No. It’s not a bird,” Vance said.

“Suppose you two geniuses tell me what you think it is,” Zack said.

“Mothman,” Vance said. “I think it’s the Mothman.”

In the rearview mirror, his brother’s eyes narrowed as they bored into his. Then Zack started to laugh.
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Reviews are VERY welcome. Please enjoy!

Thursday, October 18, 2018

Completed! West Virginia: Lair of the Mothman


All righty, buckaroos, apart from a few final edits, West Virginia: Lair of the Mothman is done. It'll be zooming off to the publisher—Crossroad Press—this weekend or early next week. To celebrate, I had a spot of wine and doodled the little Mothman portrait you see here.

Here's a brief plot summary:

In the town of Broad Run, West Virginia…

Vance Archer and Marybeth Wilkins, a pair of adventurous seventh graders, have discovered an exciting activity called geocaching—a kind of scavenger hunt using GPS technology—which leads them after hidden treasures in the woods around their community. However, on one of their outings, they encounter a frightening, half-seen creature with glowing red eyes watching them from the shadows. Soon, Vance begins to receive mysterious messages on his phone from a caller named Indrid Cold. He learns that this name is associated with the legendary Mothman, a strange, unearthly being that is said to appear when some terrible event is about to occur. Believing that they—as well as their friends and loved ones—may soon face mortal danger, Vance and Marybeth try to solve the increasingly strange clues before disaster strikes.

Each Ameri-Scares novel is based on or inspired by an historical event, folktale, legend, of myth unique to that particular state.

Visit Elizabeth Massie's Ameri-Scares Facebook page here.

Read about my recent adventures in paradise... er... Point Pleasant, WV, here.

Sunday, September 30, 2018

Lair of the Mothman


Indeed, Lair of the Mothman is the title of my upcoming novel in Elizabeth Massie's Ameri-Scares series—to be released in 2019, probably early in the year—and this past weekend, I went to check out the original lair for myself. I've just returned from a couple of pleasant, if physically taxing, days in Point Pleasant, WV, where the Mothman legend originated. On this trip, I alternated between straight-up fact-finding and geocaching, though the latter actually is research, since the novel's plot involves geocaching

On Friday, 9/28, I left Greensboro right about noon, stopped for a handful of caches on the way, and passed through Charleston, WV, about 4:00 p.m. Just west of the city, I turned off on US 35, which follows the Kanawha River on a northwest course. Fifteen miles or so out from Point Pleasant, I saw massive plumes of steam rising into the sky from the James M. Gavin Power Plant, about ten miles north of Point Pleasant, across the river in Ohio. No matter where I was in the area, those massive chimneys became prominent sights.

The annual Mothman Festival in Point Pleasant took place a couple of weeks ago, and while it may be an immensely entertaining event, for my purposes, I preferred a more private, personalized sojourn. I had originally planned to leave early on Saturday and stay for one night, so I had booked a  room for that evening at the historic Lowe Hotel in downtown Point Pleasant. As it turned out, schedule-wise, I determined I could do Friday night as well, so I got myself a room at the Knight's Inn across the river in Gallipolis, OH. Not unexpectedly, the accommodations there were fairly spartan, but very comfortable and clean, and it came with more than the customary amenities for a cheap hotel room. I approve. After checking in there, I drove back across the Silver Memorial Bridge into Point Pleasant to wander about (read hunt geocaches) and procure some vittles. I was both surprised and pleased to encounter several local geocachers at the different caches I visited. Dinner happened at the Lighthouse Grill, where I ripped into a big old burger with some fabulous beer-battered fries. An enchanting spot.
One of the hundreds of clippings from the local
newspaper from the original Mothman scare

Now, I've seen The Mothman Prophecies several times, and I quite enjoy it. The movie was filmed in Kittanning, PA, and while the place looks enough like West Virginia on the screen, I was not at all surprised to find that the film's setting and the actual location bear little resemblance to each other. Point Pleasant is quaint, loaded with history (and geocaches), picturesque in the extreme, and the perfect small town for weird things to happen. Perhaps its most prominent centerpiece is the stainless steel Mothman statue, situated at Main and 4th Streets, constructed by scupltor Bob Roach in 2003. On this block, you will also find The Mothman Museum, which features Mothman memorabilia of every conceivable sort, as well as original newspaper clippings about the events that gave rise to the legend; massive amounts of information about the collapse of the Silver Bridge in December, 1967; and a multitude of original props from the film. The museum is the brainchild of Point Pleasant native Jeff Wamsley, whom I had hoped to meet, as I had become more than a little familiar with him via numerous Mothman documentaries I had watched over the past few weeks. Sadly, our paths never crossed, though I spent considerable time at the museum yesterday morning and found some enjoyable and informative conversation with the gentleman in charge of the place at the time.
Original art from The Mothman Prophecies on display at the Mothman Museum in downtown Point Pleasant
The first sightings of the Mothman occurred near the McClintic Wildlife Management Area, a.k.a. "The TNT Area," about 8 miles north of Point Pleasant. During WWII, a massive munitions plant and storage facility occupied this area, hence its explosive epithet. After the war, the place was abandoned, and much of it was simply overtaken by dense forest. There are still dozens of semi-spherical storage bunkers—known as "igloos"—to be found in that area. There are also dozens upon dozens of geocaches hidden around the TNT Area.
Informative map given to me at the Mothman Museum

And thus, Saturday morning, I headed north on Highway 62, continually drawing nearer to those massive, steaming chimneys from the Gavin power plant across the Ohio River. I stopped for a handful of caches along the way. About 11:00 a.m., I turned down Potters Creek Road, which features in my novel. And as I drove deeper into the incredibly dense forest, I began to get a sense of just how creepy this place could actually be.

For the most part, I was entirely alone out here, which I quite appreciated, although I could occasionally hear distant gunfire from a shooting range a couple of miles in. There are several night caches in the area, and I had initially thought about heading back after dark to give one or more of them a try. After learning the hard way about the sheer difficulty of navigating these woods even in daylight, I eventually decided against going out there alone at night....

I found about a dozen caches in the TNT area over four hours or so, and failed to find a couple of others. From these hunts, the thing I learned first and foremost was this: on geocaching.com's rating scale for terrain, with 1 being the easiest and 5 being the hardest, your average rating here is about an 8. At no time was this more evident than on a long hike out to a cache high up in a tree—titled "Wrong Turn"(GC5KNZV), after the movie of that name, which features a scene up in a tree. Being on a "trail" out here meant that the briers, brambles, and creepers would only swallow you in little pieces, rather than whole. Happily, I negotiated the tree-climbing challenge without issue. My egress from ground zero, however, was a whole 'nuther story. I ended up straying from the path by which I had entered—by no more than 50 feet, according to my GPS—and found myself surrounded by utterly impassable thickets in every direction. I cannot fathom how I even got into them, since I could scarcely go back the way I had come. The 200-some-foot bushwhack I ended up undertaking to get back to merely impenetrable spaces sewed up any hope of returning later, for between the tree climb and several hours of rigorous hiking, I was physically spent (or so I thought).

Despite my growing fatigue, I continued to hunt several more caches, a number of which brought me to overgrown, sealed-up igloos. At one igloo, however, I found the massive steel doors gaping wide, revealing only deep, subterranean darkness. Being occasionally foolhardy, especially when caching is involved, I went right on in to check it out, only considering—when I woke up at 5:00 a.m. in a cold sweat—that, had those doors somehow closed on me, I'd be there right now, and possibly for the rest of my abbreviated life. Ah, zut. As it turned out, the experience proved a hoot. The echo effect in that steel dome gave me an agreeable case of the chills.
A few miles out from the TNT area, the Gavin power plant chimneys across the Ohio river spewing steam
Left: Mr. Death, about 20 feet up in a tree; Right: Mr. Rodan, about 20 feet up in a tree,
holding onto Mr. Death for dear life
Old munitions storage igloo, sealed.
Old munitions storage igloo, gaping wide. You think I'm gonna go in there?
Dingy-dang right I'm going in there.
Eventually, I made my way out of the TNT area, alive and almost kicking, only to stop for a few more caches on the way back to town proper, one of which offered, but did not require, a change of elevation of the higher altitude persuasion. Naturally, I enjoyed availing myself to it.

Once ensconced in my room at the Lowe Hotel, I did a little sightseeing in the building itself. The Lowe Hotel dates back to the very early 20th century and is, without question, the most atmospheric setting in which I have ever taken lodging. The place is reputedly haunted—of course!—and while I encountered no spookiness of the ghostly variety, the decor and size of the place did bring to mind the old Broad Street Hotel in my hometown of Martinsville, where, when I was a kid, the family often went for dinner. I loved to explore those old hallways, though the dark stairwell leading upward scared the bejezus out of me. The place is, sadly, long gone, but the Lowe Hotel brought back every delicious frisson I ever experienced at the Broad Street Hotel in the early 1960s.
My home away from home, the Lowe Hotel
Come early evening, I was back out and about in the downtown area, where I went after a couple of multi/mystery caches that required considerable walking. I conquered these hides, then went roaming in search of dinner. I found it at what I had initially considered a somewhat dubious option—Two Waters, a Mexican-slash-Italian restaurant—but which proved quite, quite good. Grilled pork chop, salad, baked potato, roasted vegetables, and some of the best bread with olive oil and herbs I've ever had. Plus they had one of my favorite wines, Cantina Zacagnini Montepulciano, which complemented dinner beautifully.
My haunted hallway

After the day's rigorous activities, I found myself dead, deceased, bereft of life, and resting in peace, so I returned to my chambers at the Lowe Hotel, changed into my comfy clothes, and settled in for the evening—only to realize there were still two caches nearby, both of which required considerable walking around town to procure clues that would reveal the final coordinates. I suppose it goes without saying that I got up, threw on my boots, and went out after them. I had left in such a hurry, however, that when I reached the first of the two containers, I realized I had left my writing implement back in my room. Damnation, I had no means signing the frippin' log sheet! But yay—the container contained a pencil! However, I harbored grave doubts that the other would accommodate such an unforgivably forgetful geocacher. So I borrowed the pencil, made my way to the other cache, and used my borrowed implement to sign the log. Then, before returning to the hotel, I returned the pencil to its rightful location, as I would have felt guilty about depriving another unforgivably forgetful geocacher of such a basic benefit.

At last, I did return to my hotel room, fell over, and died.

Today, I came home. And much writing lies in wait for me.
My haunted chamber
The haunted parlor
Inside the igloo

Tuesday, August 21, 2018

Ameri-Scaring


I've been too busy to blog much these past few weeks, as I'm now well into first entry in Elizabeth Massie's Ameri-Scares series, which I anticipate finishing and turning in to Crossroad Press before the end of the year. My first novel in the series is set in West Virginia and involves the Mothman legend. Next month, I plan to visit Point Pleasant, WV, where the stories of the Mothman originated, for some serious on-location research. I'm also pleased to see there's a regular trove of Geocaches in that area, many of which are Mothman-themed. I will post a detailed report on that excursion after the fact.

Ms. Massie's newest Ameri-Scares entry is North Carolina: Mountain of Mysteries, which has just made its way to my Kindle. I did take quite a shine to her previous Ameri-Scares outing, Virginia: Valley of Secrets. It came in handy for me as something of a guide to writing at the 8–13 age level. While Ameri-Scares is aimed at younger readers, I must say the one I've read so far engaged me as much as any of Ms. Massie's adult-oriented tales—which is to say fully and deeply. I especially recommend it if you have kids in the 8–13 age range. The plot and characters are well-developed, and the writing, while age-appropriate, is not simplistic or condescending. It tells a touching story of a youngster whose early childhood is a mystery, for he has grown up without knowing his parents. His journey to find them leads him to the Shenandoah Valley of Virginia, where he uncovers a dark and dangerous secret in which his parents may have been involved.

In the next few days, I'll post an excerpt from my book, tentatively titled West Virginia: Lair of the Mothman, though that is subject to change at any moment. Stay tuned for developments, and by all means check out Ms. Massie's novels in the Ameri-Scares series from Crossroad Press.

Tuesday, July 31, 2018

Joining the Ameri-Scares Team

It's official! I will be writing at least a couple of new novels for Elizabeth Massie's Ameri-Scares, a series of spooky books for readers ages 8–13. The series will comprise 50 novels, one set in each state, each based on or inspired by a historical event, folktale, legend, of myth unique to that particular state. My first book will be set in West Virginia and involve the legend of the Mothman. Beyond that, I will likely set the next in Maine and chronicle the very scary "Pocomooshine Terror."

I'm set to turn in the first book at the end of the year, so it will likely appear in early to mid 2019. After that, who knows where the series will take us....

Books already published in the Ameri-Scares series include:
North Carolina: Mountain of Mysteries
Illinois: The Cemetery Club
Virginia: Valley of Secrets
California: From the Pit
Maryland: Terror in the Harbor
New York: Rips and Wrinkles


Here are a few links where you may read more about Elizabeth Massie's Ameri-Scares series:
Ameri-Scares on Facebook
Ameri-Scares novels by Elizabeth Massie at Amazon.com

Monday, January 29, 2018

"Smoothpicks" by Elizabeth Massie


"Oh. There is blud..."
It was relatively early in Deathrealm's ten-year history that I became acquainted with Elizabeth Massie's short fiction, and not long afterward that I became acquainted with Ms. Massie herself. At the time, her work had been published in numerous reputable small press publications, such as 2AM, Grue, The Horror Show, and Space & Time, and when I met her at the 1987 World Fantasy Convention in Nashville, TN, I confess I was a fanboy. On a personal level, we pretty much hit it off, especially when we discovered we had attended the same college, though some years apart (I will be a wretched man here and tell you that she preceded me there by a few years, though I will not reveal how many). The fact that Ms. Massie [and her hubby Cortney] later took up geocaching proved she was a human of appealingly deviant character.

When Ms.Massie submitted a story to Deathrealm a couple of months or so after our first meeting, I truly was over the moon, especially because, unlike a select number of "name" authors at the time, she did not send me a trunk story*, but a first-rate piece of fiction, which was at once horrifying, heartwarming, funny, and tragic. It was called "Smoothpicks," and it became one of Deathrealm's most acclaimed published works, for very good reason. It read as both a spontaneous graphic narrative as well as a stylized fable. Based on reader feedback, for some, it tiptoed into the "I-Can't-Suspend-My-Disbelief" zone, but if one read it as this editor believed it was intended, the more far-fetched aspects of the story were an absolute non-issue.

The story is a "jernal," penned by an inmate in a home for "mental dessectives." Mary is her name, known to some as "Hary Mary," not because she is a hairy girl but because "she so hary to be wit." Mary's best friend in the institution is a gentleman who goes by the name "Buggy," incarcerated after a personally devastating tour of duty in Vietnam. Although Buggy brought back memories of untold horrors from the Far East, he also returned with certain esoteric knowledge, which some modern medical practitioners might describe as a form of acupuncture, but which Mary merely calls "smooth stiks to help the hurt"—a.k.a. "Smoothpicks."

Buggy is occasionally taken with violent, destructive fits, yet when one of the inmates is in pain, he is the one who selflessly alleviates their suffering, by way of his "smoothpicks." After Buggy reaches a point of crisis, where he can only kill his personal demons by using a "big" smoothpick—a butcher knife—he leaves Mary with a special gift: an application of smoothpicks that brings her a clarity of mind she has never before known.

At this point, Mary faces an unimaginable choice. Whatever her choice, it is horror. It is tragedy. It is unbearable.

For her choice to have meaning, the reader must willfully suspend his or her disbelief; however, in the context of the story, such suspension is not just simple but natural. Over the course of the tale, Ms. Massie has drawn us into the realm of the impossible. And because her storytelling has captured most of us fully and without reservation, in context, the impossible no longer seems even implausible. At once, we both want and dread the final, nerve-shattering revelation. Without it, there is no catharsis. And in a story such as this—the kind of story at which Ms. Massie excels—we desire catharsis. Even if it hurts.
Elizabeth Massie, or emvirginia, as
she is known in geocaching circles

Though it springs from very early in Ms. Massie's long, varied career as an author, "Smoothpicks" displays the hallmarks of an expert storyteller: engaging, memorable characters; a distinctive voice; critical conflicts, both internal and external; and imagery that haunts the mind long after the reading is done. Over the years, I've read countless of Ms. Massie's stories and novels—I've even co-written two novels with her—and while she has gone on to explore endless new avenues in fiction, "Smoothpicks" remains a landmark work, both for her and for Deathrealm.

Copies of Deathrealm #7 are difficult, though probably not impossible, to find. "Smoothpicks" was reprinted in the anthology Deathrealms (Delirium Books, 2004) which may be marginally easier to acquire. You might check with eBay or Amazon.com to find available copies.

*More than one well-known author did this early in Deathrealm's run, for the professed purpose of "testing" my editorial prowess. I've never understood such a mindset, but apparently it exists. Submissions that struck me as being trunk stories always got bounced, no matter who they came from.

Wednesday, October 4, 2017

It, Watching — It, Scary


While it's relatively rare for my stomach to start growling in hunger while reading about cannibalism, several of the stories in Elizabeth Massie's most recent short fiction collection, It, Watching, flung a healthy craving on me. Behind the gorgeous cover (featuring art by Ms. Massie's husband, Cortney Skinner), you'll find seventeen diverse short stories (plus one long poem), ranging from a Walking Dead-esque zombie tale ("Wet Birds") to a drama of personal revenge set in the Civil War ("Tintype"—which made me really hungry) to dark comedy ("Darla and Gina Try to Keep Out of Debt") to political allegory ("Pisspot Bay") to disturbing science fiction ("The Replacement"). Of course, there also plenty of the requisite spooky little horror tales.

Over thirty years or so, Ms. Massie has rightfully become one of the most respected names in the field of dark fiction, and if one should not understand why, then a full dose of It, Watching ought suffice to set one straight. One of Ms. Massie's most consistent and effective authorial traits is that her voice will lull you with a light and damn near comforting tone, only to turn nothing less than shocking in its assault on one's sensibilities, even when said sensibilities have been toughened by long experience with that voice. Mostly set in rural, isolated locations, these stories consistently emphasize a sense of personal isolation, of things being wrong, not just out there, but deep within the characters. As one is drawn into the narrative of each story, it's impossible not to feel a certain discombobulation, a feeling that something, somewhere, is off-kilter, even during the most prosaic of exchanges between characters. Tense dialogue is a hallmark of Ms. Massie's fiction, and almost unbearable tension pervades the best of these stories—"Don't Look at Me," "I Have a Little Shadow," and "The Well." Each have distinct supernatural overtones, each presents characters no less unsettling than the other-worldly elements.

It, Watching is 200-some pages of classic Elizabeth Massie fiction, some reprinted, some previously unpublished. While the reading here is not necessarily comfortable, it's compelling, and it's hard not to finish one story and tear right into the next.

Do not pass this collection by. Pick up It, Watching from Amazon.com here, in paperback or Kindle editions.

Sunday, June 5, 2016

The Healthy Insane

That's us, all right — the Healthy Insane. Well, it makes for an apt geocaching team name, don't you think? What do you mean where are the wine glasses? Well, the wine flowed yesterday, mates.

This has been a memorable couple of days for Ms. Brugger and me, complete with unwelcome interlopers, not-quite-exotic food and drink, high-risk geocaching, horrific movies, and blasphemous storytelling. Friday evening, those diabolical fiends Cortney Skinner and Elizabeth Massie (with whom I co-wrote Dark Shadows: Dreams of the Dark) darkened my doorstep and proceeded to menace my cats for the duration of the weekend. Upon their arrival, I took these awful folk out and forced them to seek geocaches in singularly hazardous places, followed by a tortuous, habanero-spiked Mexican dinner. To keep the theme of inhuman pain and suffering going through the rest of the evening, we settled in to watch The Sound of Horror, a review of which I posted here just the other day ("The Sound of Horror," Sunday, May 29, 2016), followed by a great wailing and gnashing of teeth.
Sometimes, you have to think inside the box.

But of course there was wine, at least for those of us who have been known to partake. (Happily, our trespassers were considerate enough to bring a bottle of Virginia wine for Ms. Brugger, who drinks.) Saturday morning, after beginning the day with the prerequisite caffeine and some acceptable treats from Starbucks, we ventured out into Greensboro's urban wilderness, procured the necessary items for a poisonous picnic, and hied our asses out to Stonefield Cellars in Stokesdale, which is one of our favorite venues for locally produced vino. On our arrival, we discovered there was to be a wedding on the premises — poor sods — but much to our delight, a short distance from the main facility, there hid a pleasant, secluded table, complete with an umbrella to block the hated, blazing day star, where we set up our picnic and savored some particularly nice wine — sangria for Mr. Skinner and Dread Pirate Robert's Red Blend for Ms. B. and me. There were a couple of caches near the winery that I had hunted unsuccessfully not too long ago, one at a haunted house, so after our picnic, we decided to seek revenge on the offending containers. This time, success!
Artist and writer in their natural environment

Once back home, Ms. Massie devoted some more time to menacing my cats, and then Kimberly and I prepared a Pho dinner, which the two of us quite enjoyed and our company appeared to survive (we'll see how things go over the next few days). For dessert, we enjoyed some Klondike bars and It Follows, which our guests had not previously seen (reviewed here by the Old Dude some time ago). After lights out, I heard some intriguing sounds from upstairs, but I did not go to investigate because I'm pretty sure the cats were setting traps for our trespassers. However, as often happens with devices devised by cats, the traps didn't really work. It's kind of like when Frazier, after plotting long and hard to give Dad what-for, conceals himself, lies in wait for God knows how long, and then, when opportunity arises, comes barreling out to accost me. However, since he really doesn't know what to do when he catches me, he just sits down.

This morning, it was back to Starbucks for a final social gathering, featuring plentiful tall tales and imparting of Wisdom, largely provided by one Wisdommamus Evughwemuya, who desperately desired friendship with Ms. Massie on Facebook. By searching his face on the interwebs, we discovered that the good Wisdommamus possesses dozens of different names, nationalities, and professions, so if he comes looking for you — beware!

Finally, it was time for an emotional parting of the ways (the cats danced for joy). All in all, another memorable run-in with our hated enemies, and I truly hope it is not so long before our next opportunity to clash. I shall celebrate their departure and eventual demise with some leftover Pho.

Adieu, my fiendish foes.
Geocacher, gecocache, and haunted house in Stokesdale
Beware this man, who desires to impart only the wisdom of the scam!

Friday, May 13, 2016

Rum Collins


I suppose it's the most intense writing experience I've ever had. It was Autumn 1998, and I was working on Dreams of the Dark, which I co-wrote with Elizabeth Massie for the HarperCollins Dark Shadows series. Dark Shadows was, for me, a magical property, one I grew up with, dreamed about, plotted new episodes in my spare time. I knew the original television series, the movies, the Marilyn Ross novels inside and out. I was the consummate Dark Shadows fanboy. I had decided way back when, and I've said it many times since, that in a perfect universe, if I lived a good and worthy life, after I died I would go to Collinwood.

Ms. Massie and I had intricately plotted the novel, had virtually all the details worked out, and had divvied up the chapters for which we would each be responsible. I had developed a new character, a vampire, named Thomas Rathburn who would insinuate himself into Collinwood and thereby become the reader's eyes and ears as events at the great estate unfolded. It was via Rathburn that the reader would meet the Collins family — most notably, Barnabas Collins.

It was a Friday afternoon when I started working on the scene where Rathburn was to meet Barnabas for the first time, and I found myself as excited as if I were there, at Collinwood, about to come face to face with the characters I had known so intimately for so many years. I had armed myself with some rum, but as I began to paint the scene, I felt giddy, intoxicated, far in excess of the effect of any alcohol. It was the first time — perhaps the only time, really — that the process of writing transported me wholly into the world in which I was working. It was a world I knew better than any I could create from my own mind. In those moments, Collinsport, Maine, the place and its people, was as real, as corporeal, as the most familiar corner of my own hometown. I could see Barnabas Collins with perfect clarity, hear every word he spoke — in Jonathan Frid's inimitable, mellifluous voice — as if he were standing before me, performing for me only.

I wrote and drank for several hours, and sometime around midnight my (now ex-) wife reminded me that I'd had no dinner. I took a brief break for some vittles, recharged my glass (again), probably took a pee, and settled back in to continue the scene. It was all coming out like lightning, as natural, as real as if I were merely transcribing events happening in the tangible world around me. At some point, Mrs. Death went to bed, while I kept writing and drinking.

Eventually, I realized the sun was coming up.

I was beginning to feel the effects of the night's alcohol, so I made coffee, took a few minutes' breather, and went back to writing. And by noon, the rum was flowing again.

I finished that chapter sometime after sundown and finally, at some point, collapsed, pretty well enervated. I think I napped for a couple of hours before getting back to it, this time sans rum. Well, at least for the next few hours. By Sunday afternoon, I was writing and rumming again as if all that previous rumming had never happened.

When I look back at Dreams of the Dark, that chapter specifically, I can happily say it is not the work of an excited drunk. It's the work of an enthusiastic spirit who, for just a little while, visited the place of his dreams. I'd say there aren't any other media properties that could have done that for me, not then, not ever. I'm mighty glad I had the chance to work in that universe, not once but several times, because it opened a door for me — inside me — that few, if any, of my own unique creations have ever done. No right or wrong about it. It just was.

Fortunately for me, in the days since then, I have managed to write just as enthusiastically (if for much shorter spells) but without quite so much drink. I'm pretty sure I would never — could never — even attempt to repeat or recapture that experience. That was a singular, isolated time where passion and spirits overcame everything else. It's a fine thing to remember. I'm glad I can remember. For a while there, it was iffy.

Write on.

Saturday, April 16, 2016

What a Long, Strange Trip, Part II

In our last episode, after a nerve-wracking flight into Islip, Long Island, ye olde drowned rat had sunk a couple of Bass Ales at sweet Molly Malone's (now permanently closed, I'm sad to report) and boarded the ferry to Fire Island with a contingent of intrepid Dark Shadows fans. When we arrived at our semi-rustic lodgings, both Ms. Massie (whose journey, I learned, had been scarcely less taxing than mine) and I collapsed for long afternoon naps. In fact, if I recall, I think several of us decided to crash for a while, as the severe storms had done a pretty good number on everyone's nerves, and it was good to finally relax. Fortunately, for the next two days, the weather ceased to be a complicating factor, and spending time among some good friends served as much-needed tonic. There were no cars in our particular corner of Fire Island, so we either walked or rode bicycles to whatever areas we saw fit to explore. I believe it was on our second evening there, I remember we had to hoof it quite some distance to find vittles, at a restaurant whose name I can't recall but that I quite enjoyed. At the time, I was working on the opening chapters of Dark Shadows: The Labyrinth of Souls, and I read the first chapter to an enthusiastic crowd — which was actually a motivating reason for finishing the novel even when it appeared that an official release by either HarperCollins or Tor was not destined to happen.

For those couple of days, I thought perhaps I had left the bizarro realm behind me, but on that last day on the island, I discovered it had been but a brief respite.

On Sunday, I bid my companions adieu, for I had to return to work the following day. It was particularly sad for me because the group was planning to visit Dark Shadows actor Louis Edmonds at his nearby home. Fortunately, I had met him once before he passed away in 2001, but I have always regretted not being able to spend time with him on that particular trip. Anyway, as planned, my fellow Air Warrior staffer "Mojo" Wayne met me at the ferry station early that afternoon, and we decided that Molly Malone's would make a fine destination for lunch and drinks before heading to the airport. As it turned out, Molly Malone's was equally appealing to both the church crowd and the seafaring set. Before we knew it, battalions of patrons in their Sunday best, accompanied by raucous children, descended on our positions. Mojo said he knew a place close to the airport, so off we went to escape the onslaught of Christian soldiers.

Little did I know that Mojo's favorite spot was a strip club. Now, I am far, far from prudish, but I have never derived much pleasure from such adult venues. We settled ourselves in a relatively secluded corner, and I was enjoying a well-made gin and tonic when he stood up and hollered, "Famous writer here! A famous horror writer!" So much for traveling incognito. A couple of attractive young ladies rushed over to check out my credentials, and when they learned I had written a Dark Shadows novel, they were both ecstatic. Longtime fans, apparently, and how nice! I ended up grabbing a couple of copies of the book from my (finally dried out) suitcase and donating them to the cause here, for which I was offered all kinds of favors, and which I all kinds of refused because, well, Mrs. Death. (I was still married to her in those days.) Anyway, after all this, Mojo drove me on to Islip Airport, where I anticipated, finally, an uneventful flight home.

My flight had been canceled.

Well, the attendant said, there wasn't another flight to PHL until late that evening, and I wouldn't be able to make a connection to Greensboro till the following day. However, if I wanted to catch a direct flight home, they could put me in a limo, free of charge, to LaGuardia, an hour or so away, which was due to depart in about three hours. I settled on taking the limo ride to LaGuardia and the direct flight, so off we went. The driver was courteous enough, though a big fan of Rudy Giuliani, who turned out to be the sole subject of a very one-sided conversation. Now, for whatever reason, after leaving the strip club, I had kept a copy of Dreams of the Dark in my hand and stuck my plane ticket between its pages. When we arrived at LaGuardia, the driver dropped me off at the terminal, I grabbed my suitcase, and headed toward the entrance. The limo pulled away.

Then I realized I had left my book — and my plane ticket — in the car's back seat.

In a burst of panic, I took off running after the limo, hoping the driver would see me in his rear-view mirror. No such luck! By now, the police officers manning the terminal entrance came hauling ass my way, yelling at me to get the hell out of the road.

"My ticket's in that limo!" I shouted back.

Another limo was just pulling out, and an officer yelled, "Grab that one!"

Sure enough, as the limo pulled by me, I flagged the driver down and, while the car was still moving, flung myself into the back seat.

I pointed ahead, to the vehicle I had so recently quitted. "Follow that car!"

The driver, a cordial young fellow indeed, nodded politely and said, "Hold on, sir!"

The G force was terrible! What felt like a ton of bricks smashed me into the backseat as the limo rocketed after our quarry. I could see that, not far ahead, the road divided — the right lane led to the expressway, the left lane circled back around the airport. Naturally, my former limo was heading for the expressway.

In his rearview mirror, my driver must have noticed my consternation, for he said in a placating tone, "No worries, sir."

Next thing I know, we're pulling up beside my old limo, and the driver is honking his horn. My former driver noticed us, and I rolled down my window. "MY TICKET IS IN THE BACK SEAT!" I cried.

The driver looked around, noticed my book with the ticket inside, and in one smooth motion, reached back, grabbed the book, and flung it out the window toward me. The book flew in and smacked me in the head. "THANK YOU!" I hollered, and the exceptionally dexterous fellow gave me a big thumbs' up. Then he disappeared in the direction of the expressway, and I had my ticket in hand.

Quite unperturbed, my driver carried me back to the terminal at a far more reasonable speed, and when he dropped me off at the doors, I gave him a $20 bill for going around that circle, which back then was probably a damned good tip for such a quick round trip.

In the end, I caught my flight back to Greensboro, this time sans inordinate turbulence, on time, with dry clothes, and at least some of my wits intact. When I got home and Mrs. Death asked me how my trip had gone, I told her it was fine, if a bit unusual. I wasn't sure she would believe the whole story. I wasn't sure I believed the whole story.

But that's what happened. And I suddenly have a craving for Bass Ale. Anyone care to join me?

Friday, April 15, 2016

What a Long, Strange Trip, Part I


Back in May 2000, not long after Dark Shadows: Dreams of the Dark was released, I accepted to an invitation to attend a gathering of Dark Shadows fans at Fire Island, NY. I anticipated it being an entertaining weekend spent in the company of some nice folks with a similar fondness for certain supernatural soap operas. I was delighted to find that Ms. Elizabeth Massie, my co-writer on the novel, would also be attending. The part about about hanging out with some nice folks proved true enough, but what I did not expect was a surreal, often disconcerting experience that began the moment I left home and ended only when my plane touched down safely back in Greensboro two days later.

At the time, I was the head game op on AOL's Air Warrior flight simulator, and it so happened that one of the other staffers with whom I'd gotten to be friends lived in that area of New York. We decided that, on the last day of my trip, he would pick me up at the Fire Island Ferry Station, we'd have a few drinks somewhere, and then he'd take me to the airport. A little bonus to look forward to before my return home.

My plane departed Greensboro on a cold, drizzly Friday morning, bound for Islip, Long Island, by way of Philadelphia. The flight out was normal enough, though the turbulence was considerable. It was when I arrived at PHL to make my connection that things really went south. By now, the drizzle had become a relentless deluge, and my flight to Islip was on a tiny commuter aircraft that resembled a shoebox to which someone had glued wings as an afterthought. However, instead of at the main terminal, the airplane was parked on the tarmac at the farthest reaches of the airport. To get there, we few passengers had to take a bus. Our baggage followed in an open trolley, my canvas suitcase fully exposed to the driving rain. Oy! Once the plane was airborne, some coffee seemed just the ticket, so I acquired a cup from the flight attendant. I had barely taken a sip — hot! — when we hit the first serious turbulence. Fortunately, the seat next to me was empty, and I held my cup out over that seat to keep the scalding coffee from sloshing all over me.

And just in time too. WHOMP! Big air pocket! The plane dropped a hundred feet or more, my stomach rushed to my throat, and the full contents of that coffee cup splashed onto the empty seat beside me. Beverage service was immediately terminated, and for the next 45 minutes, we bounced along in the air, my head every now and then striking the overhead compartment when we hit a particularly rough stretch. It was the landing, though, that almost put me off flying, for as we made our descent, the little aircraft began to sway mercilessly back and forth, occasionally so sharply that, through the windows, I found myself looking straight down at the earth. Soon enough, treetops were rushing past at high speed, and then — WHAM! — the left tire touched down on the runway. WHAM! The right tire touched down. Finally — BAM! THUD! — the nose wheel came down, and my head hit the back of the seat in front of me hard enough to send stars dancing across my field of vision. People around me were screaming, and I mean screaming, and this disturbed me far more than the pain of impact. But outside the window, I could see that we were rolling along on level ground, gradually slowing down. The worst, it would seem, was over.

Indeed, I had survived more or less unscathed, but when my suitcase and I were reunited, it appeared to have been salvaged from some the wreckage of the Titanic. Inside it, everything — and I mean everything — was soaked through and through. Where I was going, I didn't anticipate finding a handy retailer to replace anything that had been ruined, but my spirits were far less dampened than my belongings. I caught a ride with a friendly limo driver who carried me to the Bayshore-Fire Island Ferry Station, now under merely cloudy skies. However, immediately upon our arrival, the bottom fell out again, a blinding torrent, and I really wasn't sure where I had to go to meet my party. Oddly, the parking lot was deserted. The driver and I appeared to be the only human beings at the ferry station. He offered to wait with me until Ms. Massie and the others arrived, but I saw in the distance a tavern called Molly Malone's, and it appeared to be open, so I asked the driver to drop me there that I might enjoy a drink while waiting for the Dark Shadows contingent. He obliged, but in the fifty feet between the limo and the establishment's front door, I ended up so drenched I might as well have leaped into Great South Bay. With my waterlogged suitcase in hand, I staggered into the tavern, immediately to encounter a young hostess who, upon taking in my appearance, gave an involuntary snicker and said, "Sir, you need a drink."

I quite agreed, and she led me past a crowded bar, where a group of clearly drunken, burly seafaring types were belting out "Sweet Molly Malone" at the top of their collective lungs. I think it was at this moment that I realized I had become an active participant in some ongoing, surreal scenario, and there was nothing for it but to go along for the ride and see where it led me. I ordered a Bass Ale and then another before I saw, through a rain-splashed window, the arrival of a vehicle from which, blessedly, Ms. Massie and several other familiar figures emerged. For some time afterward, whenever it rained, I found myself craving Bass Ale, and now upon reflection, it seems a tradition worth revisiting.

As I made my way out of Molly Malone's, the rain stopped, and I met Ms. Massie, Mr. Bob Issel, and a few other acquaintances from a previous Dark Shadows festival. We boarded the ferry, and, for the moment, it appeared that things might actually settle down and allow for a pleasant, mellow weekend at a cozy summer house on the island.

I only hoped I had some place to hang my soaked clothes and that they might dry out quickly.

Part II follows.