Showing posts with label Willow Bend. Show all posts
Showing posts with label Willow Bend. Show all posts

Saturday, August 22, 2026

THE HORROR COLLECTION: OBSIDIAN EDITION Is in the Wild


KJK Publishing
has released another in its long-running The Horror Collection series, edited by Kevin J. Kennedy, and this time, it's the Obsidian Edition, now available in ebook and trade paperback formats. This one features my story of Appalachian horror, "Willow Bend," along with 16 other tales of stone-cold terror (see the table of contents below).

"Willow Bend" was originally slated to appear in 2018, in an anthology titled Voices in the Darkness from Ulthar Press, but following the sad, untimely passing of Ulthar's owner, Sam Gafford, the book never happened. So, I'm mighty pleased that the story will at last see the light of day in an awesome new anthology. The Amazon ordering link is posted below.

I still have more frightening fiction forthcoming from Mr. Kennedy and KJK Publishing, so... beware the future, my friends!


TABLE OF CONTENTS:
• "The Pale Mother" by Mladen Stanisavljević
• "A Demon in Bed" by Tom Blicq
• "Lips Beneath the Ice" by Nenad Mitrović
• "The Reunion" by J. Rocky Colavito
• "984" by Željko Obrenović
• "Buried at Sea" by C L Raven
• "Purity Ball" by Cody Goodfellow
• "The Gauntlet" by Mark Towse
• "Fix the Problem, Doctor" by Viggy Parr Hampton
• "Servile" by Jeffrey Thomas
• "Gashapon" by Ryan Colley
• "Willow Bend" by Stephen Mark Rainey
• "At the Water’s Edge" by Richard Clive
• "Offspring" by Brian Moreland
• "Appetite for Life" by David O’Mahony
• "Heartsick" by Brian Hodge
• "The Confression" by Shaun Hutson

Friday, July 10, 2026

Another Horror Collection — Obsidian Edition


KJK Publishing
has announced another in its long-running The Horror Collection series, and this time, it's the Obsidian Edition, to be released later this year, most likely in the fall (ebook and trade paperback editions). This one will feature my story, "Willow Bend," along with 16 other tales of stone-cold terror (see the table of contents below).

"Willow Bend" was originally slated to appear in 2018, in an anthology titled Voices in the Darkness from Ulthar Press, but following the sad, untimely passing of Ulthar's owner, Sam Gafford, the book never happened. So, I'm mighty pleased that the story will at last see the light of day in an awesome new anthology. As always, I will post additional details and ordering information when those become available.

I still have more fiction forthcoming from KJK Publishing, so... beware the future, my friends!


TABLE OF CONTENTS:
• "The Pale Mother" by Mladen Stanisavljević
• "A Demon in Bed" by Tom Blicq
• "Lips Beneath the Ice" by Nenad Mitrović
• "The Reunion" by J. Rocky Colavito
• "984" by Željko Obrenović
• "Buried at Sea" by C L Raven
• "Purity Ball" by Cody Goodfellow
• "The Gauntlet" by Mark Towse
• "Fix the Problem, Doctor" by Viggy Parr Hampton
• "Servile" by Jeffrey Thomas
• "Gashapon" by Ryan Colley
• "Willow Bend" by Stephen Mark Rainey
• "At the Water’s Edge" by Richard Clive
• "Offspring" by Brian Moreland
• "Appetite for Life" by David O’Mahony
• "Heartsick" by Brian Hodge
• "The Confression" by Shaun Hutson

IN THE MEANTIME, The Horror Collection: Crystal Edition, which includes my story, "Magic Eye," is currently available, and you can pick it up here.

Friday, April 6, 2018

Speaking of Chicago...


In my previous entry about my story, "Willow Bend," I delved into the importance of setting and how a specific location—Rock Castle Gorge in Virginia—played a major part in the tale. However, the real genesis of the story may be traced back to an incident that occurred 30-some years ago and 700-some miles away, in a very different setting—Chicago—where I lived in the mid-1980s.

At that time, I was an avid Paintball player, the game being known in those days as "Survival." I was part of a group that got together every weekend in the woods near the Wisconsin border, and I was as addicted to Paintball then as I am to Geocaching today. It was beyond fun shooting the hell out of each other (though it hurt like like a motherfucker when you got hit), and certain experiences from the game naturally wove their way into a number of my stories over the years. The event in question, however, involved not the game itself but one of my fellow players. I'm pretty sure his name was Kurt, and for the purposes of this narrative, that is what I shall call him.

Kurt and I got to be pretty good friends, and as experienced players, we took considerable delight in teaming up each weekend to take out craploads of newbies who came to sample the Survival experience. He was a hardcore Paintballer, and he owned several of the CO2-powered guns we used in the game. He offered one of them to me at a bargain-basement price, and I was happy to take him up on the deal. It was kind of nice having a gun of my own rather than renting one every weekend.

One day he came to me with uncharacteristic solemnity and asked whether I might be willing to do him an unusual favor. Apparently, Kurt lived next door to an aging woman who was convinced that people were coming into her house at night and making a lot of racket. Oddly, when she would get out of bed to accost them, there was never anyone there. This happened every Friday night, and one weekend she asked Kurt if he might be so kind as to stand watch outside and have cross words with any strangers inclined to enter her house uninvited. She did suggest that, since there was no knowing these people's intentions, it was only prudent that he should arm himself. Well, the only arms Kurt owned were Paintball guns, so figuring... I guess... that two Paintball guns might at least partially compensate for their basic lack of lethality, he asked me if I'd be willing to join him standing vigil overnight at the nice lady's place.

Well, ever one to rise to a stimulating challenge, of course I said yes. Hell, neither of us believed a word of it, for the lady was old and probably firmly in the clutches of dementia, and this struck both of us as an opportunity to stay up all night, drink beer, shoot the shit, and maybe shoot somebody's eye out with paintballs should the need actually arise.

The lady lived in a small Chicago brownstone in a reasonably well-to-do neighborhood. On either side of the house, there were tall, thick evergreens that separated the adjacent lots, so shortly after sunset on this chilly evening, Kurt and I armed ourselves with our Paintball guns, a shitload of paintballs, a twelve-pack or two of Old Style, some munchies, and a few packs of cigarettes, and we settled ourselves across from each other in the shelter of the tent-like evergreen branches.

For lord knows how long, we drank, smoked, and jabbered back and forth, until the lady popped her head out the door and told us to shut the hell up because she really wanted to see the situation resolved, and our cavalier attitudes were of no help. This was sound logic as far as it went, so we got serious, clammed up, and went on full alert. This state of alertness lasted until sometime around two in the morning, when I began to get really, really sleepy.

The next thing I knew, Kurt was shaking me and saying he could hear voices coming from inside. We both crept to a window and, sure enough, there were low, masculine voices emanating from what I believed to be the living room. A second later, the woman began to holler from another room, and the voices went silent. Kurt produced a key, and we rushed inside with our Paintball guns ready to blast the hell out of any intruders. What we found was a bewildered, frustrated-looking lady and... not one other soul in the house. No TV or radio turned on. No indication that anyone other than the woman was, or had been, inside.

And that was that. Our hostess told us that, inevitably, once the people went away, they didn't come back anymore on the same night. Disheartened, Kurt and I returned to our posts, where we spent a few more uneventful hours until daybreak. When we finally parted ways, we half-heartedly assured each other it might be worth trying the same plan on some other night, but we never did. Frankly, despite things having been a little weird, we did not believe anyone besides the lady had ever been in that house. She probably had turned on the television, or voices coming from somewhere else simply sounded as if they were coming from within. After all, at any given time, we were surrounded by a fair amount of city noise....

Some weeks or months later, Kurt told me that the woman had had no more complaints about intruders, so we did take some satisfaction in the idea that... maybe... our Paintball guns had scared the dickens out of some ghostly ghosts and sent them permanently packing. I felt happy, for the night had proven interesting enough, and thirty-some years later, it became the basis for one of my scary stories.

And that was the Night We Shot a Ghost's Eye Out.

Thursday, April 5, 2018

Willow Bend

Discovering intriguing, scenic locations has always been a joy for me—which is one of the main reasons I am addicted to Geocaching—and in my fiction, setting virtually always plays a significant part in the story. One of my relatively recent tales of terror, “Willow Bend” (slated to appear in in the Ulthar Press anthology Voices in the Darkness later this year), came about after Ms. B. and I, on a geocaching venture at Rock Castle Gorge in Patrick County, VA, discovered The Austin Homestead, a tract of privately owned land in the middle of the state-owned Rocky Knob Recreational Area (see “Stonewalled,” “The Haunting of Stonewall, Episode 4”). My first impression of the place was that it was the Vermont setting for H. P. Lovecraft's “Whisperer in Darkness” transplanted in Virginia. A few additional hikes in the area convinced me that I needed to use a fictionalized version of the place in a story of my own. And thus, in 2016, “Willow Bend” came about. It's a ghost story set in a location based closely on the Austin Homestead and Rock Castle Gorge.

Particularly for less-experienced writers, the effective setting may often be overlooked or short-changed. Even in a story that is driven primarily by the characters or specific events, a work that fails to convey a sense of place often lacks one of the crucial elements of believability. In the proper hands, the setting can function as a character, evoking mood and emotion, or serving as a motivator for critical events.

Forgive me for picking on the late Rex Miller, but I'm going to pick on Rex Miller. His novel, Slob, which in many respects stood out as an effective, gripping tale, was ostensibly set in Chicago, yet there was not one scene I can recall that in any way evoked the sense of being in Chicago, where I lived for several years. Every aspect of the location felt nondescript, even lifeless, so much so that it damn near pulled me out of the book. Contrast this with author Wayne Allen Sallee's fiction, much of which is set in Chicago, his hometown. Holy crap, Wayne's stories—even those that don't need Chicago to function—function so much the better because every vivid detail of the setting brings all other aspects of the story into stark clarity. Had one never visited Chicago, sufficient exposure to Wayne's body of work might fool one into thinking one had lived there for a decade or two. And seen many things that sane individuals ought not see....

“Willow Bend” is one of my many tales in which the setting plays a distinctive, crucial role, and I hope I have succeeded in making it a place you might care to visit. And perhaps remain...indefinitely.

Figuratively, of course. Perhaps.

Wednesday, April 4, 2018

Voices in the Darkness

Oh yeah. My little chiller-thriller, “Willow Bend,” has been accepted for Voices in the Darkness, a new anthology from Ulthar Press slated for release later this year. This new anthology will explore horror in all its many shades: quiet, chilling stories; loud, violent tales; stories about monsters, both human and not; quick jolts; lingering reflections of the macabre; classics and new voices all muttering, whispering, crying, and screaming in the darkness. Here is the complete table of contents (not necessarily in order):

  • “The Junkyard” by Joe R. Lansdale
  • “The Coming of the Storm” by Jeffrey Thomas
  • “Bedside” by Christine Morgan
  • “Broken” by Jeffery X Martin
  • “The Pipe People” by Mark Allan Gunnells
  • “Eat to Live” by Brian M. Sammons
  • “The Rennard Inheritance” by Andi Newton
  • “Dreams of Shattered Teeth” by Tim Waggoner
  • “Jack: A Dirge” by David Dunwoody
  • “She Never Swept” by Robert M. Price
  • “Luna e Volk” by Mercedes M. Yardley
  • “Something for the Weekend” by William Meikle
  • “Willow Bend” by Stephen Mark Rainey
  • “A Lack of Humanity” by Oscar Rios
  • “Here in Status Symbol Land” by D.A. Madigan
  • “Barking” by Pete Rawlik
  • “Those Who Stay” by John Linwood Grant
  • “The Beatification of Custer Poe” by Laird Barron
  • “Let Me Call You Sweetheart” by Don Webb
  • “Trista“ by Cody Goodfellow
  • “Out of Days” by Nathan Carson
  • “Those That Dwell Below” by Glynn Owen Barrass
  • “Ogopogo” by Edward Morris
  • “Down There” by Ramsey Campbell
Look forward to Voices in the Darkness with excitement and dread, if you would be so kind.